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Christoph Siegrist: Welcome To The Blue World
by Dan Bilawsky
Trumpeter Christoph Siegrist's Blue World is not the world of the blues. Instead, the Swedish-born horn man populates this realm with songs that expand the modern language of jazz by using solid, yet moving, rhythmic tides and angular horn lines that join together or swoop around one another. Siegrist's primary partner in crime is tenor saxophonist ...
David Binney: Barefooted Town
by Dan Bilawsky
Saxophonist David Binney broke new ground with Graylen Epicenter (Mythology, 2011), which was a world unto itself, and shortly before that, he delivered Aliso (Criss Cross, 2010)--a jagged set of music featuring original works and some compositions from visionaries like Sam Rivers, Wayne Shorter and John Coltrane. With Barefooted Town, Binney returns for another outing on ...
David Binney: Barefooted Town
by Dan McClenaghan
Alto saxophonist/composer David Binney must not worry about “market saturation." He releases albums, as a leader for both Criss Cross and his own Mythology label, at a rate that many top jazz artists did during the late 1950's and early 1960's. Less than six months into 2011, he has already offered up Graylen Epicenter (Mythology) and ...
Take Five With Edward Simon
by AAJ Staff
Meet Edward Simon: The process by which Simon became an internationally regarded jazz musician began in the small coastal town of Cardon, Venezuela, where he grew up surrounded by the sounds of Latin and Caribbean music. Born in 1969, Simon credits his father, Hadsy, for developing his passion for music and supporting him and ...
David Binney: Barefooted Town
by John Kelman
Politics isn't the only thing that increasingly demands clear vision and steadfast commitment (even if it isn't getting it). In the jazz world--where the changing landscape makes getting heard one challenge, acceptance by a broader culture that views “jazz" as a dirty word another--it takes artists with unshakable resolve to stay the course. David Binney has ...
David Binney: Underground Tremors
by Ian Patterson
There are recordings that constitute a personal high watermark for a composer; then there are, less frequently, recordings that mark an era. Graylen Epicenter (2011), alto saxophonist David Binney's latest recording on his own label, Mythology Records, is both. For more than two decades, this exhilarating alto saxophonist has made a string of absorbing recordings as ...
Augmented Reality: Augmented Reality
by Dan Bilawsky
Collaborative trios are a tricky business. While all three members might set out to form an equal musical partnership, that rarely happens. Sometimes the instrumentation dictates the focal point, as with the fascinating group, Fly--drummer Jeff Ballard, bassist Larry Grenadier and tenor saxophonist Mark Turner--which is as democratic as they come, yet the horn draws the ...
Jochen Rueckert: Somewhere Meeting Nobody
by Jerry D'Souza
Drummer Jochen Rueckert has recorded in a variety of musical combinations, adding his distinctive rhythmic insights. He is secure in several styles, a trait that is evident in his compositions as well. His compositional abilities are affirmed by the nine tunes he has written for Somewhere Meeting Nobody, while his instincts as a drummer travel through ...
Matt Penman: Down on James Farm
by R.J. DeLuke
Matt Penman and his bass have inhabited a variety of musical places and spaces in recent years, all of them on a very high level. That speaks to his abilities on his instrument, and his adaptability to diverse situations. He of the fluid hands, rich sound and steady, melodic pulse always comes through. That's why he's ...
Diego Urcola: Musical Ecstasy
by R.J. DeLuke
Jazz music, its freedom and emphasis on self-expression through improvisation, has always had a strong pull on its practitioners, its artists. As fans and listeners, those qualities are also treasured. The infectious nature of those qualities is why jazz fans are passionate and loyal. It's music, born and bred in the United States, that has a ...
