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Tobias Delius / Olie Brice / Mark Sanders: Somersaults
by John Sharpe
Any lineup which contains reedman Tobias Delius deserves attention. Born in England to an Argentinean father and a German mother, Delius was a longtime staple of the adventurous Amsterdam scene before his relocation to Berlin in 2007, though he's still a fixture with the ICP Orchestra. On Somersaults, he teams up with the talented British rhythm ...
Live From Birmingham: Amy Roberts, Richard Exall, Bruce Coates, John Edwards, Mark Sanders, GoGo Penguin & Mammal Hands
by Martin Longley
The Amy Roberts/Richard Exall Jazz Band Solihull British Legion March 8, 2015 Shockingly, this regular club at Solihull British Legion, so accustomed to traditional New Orleans trotters, had booked a band that specialises in jazz from a slightly later time period. Precedents already existed, though, and the regulars have ...
Martin Speake: The Unquiet Mind
by Duncan Heining
We have here three very fine CDs from British alto saxophonist, Martin Speake. Speake is classically trained and when I first heard him in the late 90s, he brought to jazz a tone that emphasised the clarity of each note and the purity of the melodic line that was quite unusual in a music more used ...
John Butcher: So Far
by Sammy Stein
Saxophonist John Butcher's career could have taken an academic path. He completed a Ph.D in theoretical physics--Charmed Quarks to be precise--but left the academic world behind shortly thereafter. As a saxophonist, Butcher has played with and collaborated with many musicians. He is not afraid to try completely off the wall musical experimentation.
Gianni Mimmo & Alison Blunt: Lasting Ephemerals
by Dave Wayne
To say that someone is a virtuoso on their instrument isn't a statement just about playing ability. Virtuosity implies a deep level of understanding and insight into the way an instrument works, its history, and its sonic capabilities. This knowledge extends to an understanding of the physics of sound production: the minute details of how the ...
Riverloam Trio: Inem Gortn
by John Sharpe
After an impressive eponymous live debut, the Anglo Polish Riverloam Trio, comprising reedman Mikolaj Trzaska, bassist Olie Brice and drummer Mark Sanders, enter the studio for their follow up outing. In many ways they deliver more of the same: fiery free improvisation in post-Ayler mode. As a threesome they are perfectly matched both temperamentally and musically. ...
Fabric Trio: Murmurs
by John Sharpe
While it would be an exaggeration to suggest that there was a house style for the adventurous Lithuanian No Business imprint, the European saxophone trio nonetheless forms a significant strand in its output. Recent winning entries in the format have included sets from the Anglo Polish Riverloam Trio, Thomas Borgmann's excellent US-German unit, and Evan Parker's ...
Musson - Noble - Sanders: Tatterdemalion
by Glenn Astarita
Tatterdemalion: the album title refers to someone who wears tattered clothing, a simile that may parallel the unadorned and rather raucous proceedings enacted by this trio's thoroughly “free" approach to jazz improvisation. You won't find pieces that intimate a sea of tranquility. It's more about an in-your-face type workout featuring saxophonist Rachel Musson's hardcore expressionism. However, ...
Fataka blossoms!
by John Eyles
Although the Fataka label only issued its first two CDs in autumn 2012, it has already established such a high standard that any new release carries strong expectations. Its first four releases featured renowned British and American improvisers playing European free improv of the highest quality. All four came clad in nondescript dun-coloured sleeves inside which ...
Babel Label: More Songs from the Tower of Sound
by Jakob Baekgaard
In a time of financial crisis in the world in general and in the music business in particular, the natural thing to do would be to cut down the number of releases and concentrate on safe and palatable productions that cater to a major audience with a predefined taste. However, Oliver Weindling's Babel Label has always ...
