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Robert Burke, Tony Malaby and Mark Helias: Head Under Water
by Troy Dostert
A heralded veteran of the Australian jazz scene, saxophonist Robert Burke has never been one to limit his artistic reach through idiomatic complacency. Just within the last couple years, he has collaborated with pianist (and fellow Australian) Paul Grabowsky on Gravity Project (Apollo Sounds, 2018)--an intriguing East-meets-West endeavor that merged traditional Japanese music, jazz, hip-hop and ...
A Focus on Tony Malaby
by Bob Osborne
A focus on saxophonist Tony Malaby with a variety of music from his work as a leader, co-leader and as a sideman demonstrating his exceptional playing. Playlist Gordon Grdina “Visceral Voices" from No Difference (Songlines) 00:00 Rez Abassi “Dark Bones" from Out of Body (Feroza) 09:04 Chris Lightcap's Bigmouth “Arthur Avenue" from Epicenter (Clean ...
Meeting of the Minds and Sounds: The Clarinet and The Oud
by Doug Collette
The clarinet is hardly as an exotic instrument as the oud, but both instruments have their places in modern jazz and it's always fascinating to hear how each sounds within those contexts they're placed. As a point of comparison, the music on these two releases is at once haunting and comforting, mesmerizing and intoxicating, ultimately luring ...
Tyshawn Sorey: Pillars
by Karl Ackermann
Tyshawn Sorey's musical career has been steadily moving away from jazz and toward new music in several forms. Verisimilitude (Pi Recordings, 2017) is dominated by a series of textural motions that create a dark mood. That album followed another Pi release, The Inner Spectrum of Variables (2016); an album that featured classical composition and improvisation. Sorey's ...
Nasheet Waits Equality: Between Nothingness And Infinity
by John Sharpe
Here's one that almost got away. There's so much good new music issued now that it can be hard to keep track even within a single genre. Of course that's part of the reason websites like All About Jazz exist: they help with the filtering. Drummer Nasheet Waits' stellar Equality Quartet gave one of the standout ...
Lorraine Baker: Eden
by Roger Farbey
Lorraine Baker graduated with First Class Honours from South East London's Trinity Laban Conservatoire of Music and Dance in 2009. Since then, she's worked with many of the UK's leading jazz musicians and in addition to such sessions she's also freelance drum tutor. Fellow drummer Jeff Williams is quoted describing Baker as having a “unique style" ...
Michael Dessen: Somewhere In The Upstream
by Giuseppe Segala
L'organico di trio con trombone, contrabbasso e batteria non è particolarmente diffuso, ma può annoverare tra gli esempi più significativi la lunga, formidabile esperienza di Bass Drum Bone, in cui Ray Anderson, Mark Helias e Gerry Hemingway hanno scandagliato modalità espressive e dialogiche ad ampio raggio. Il trio guidato dal trombonista e sperimentatore di suoni Michael ...
Saalfelden Jazz Festival, 2018
by Stefano Merighi
Jazz Festival SaalfeldenJazzfestival Saalfelden 2018 Saalfelden, Austria Casa del Jazz 23-26.08.2018 Il Jazzfestival di Saalfelden garantisce di solito un combinato efficace di musica avventurosa, inedita, ed esibizioni invece legate a nomi “sicuri," sempre di gran qualità. Quest'anno la formula si è rivelata meno felice del solito, pur contando su un ...
Nasheet Waits Equalty Quartet Live at BIMHUIS Amsterdam
by BIMHUIS
Energetic acoustic jazz by a supergroup led by American drum hero Nasheet Waits, a protégé of Max Roach and a core member of Jason Moran's Bandwagon. Nasheet Waits followed in the footsteps of his father, legendary jazz drummer Freddie Waits. At the request of his other important mentor, Max Roach, he became part of ...
Gordon Grdina: Ejdeha
by Mike Jurkovic
Fifteen years into his study of Arabia's mysterious and resonant oud, Vancouver, Canada-based guitarist Gordon Grdina has released Ejdeha, with his equally mysterious and resonant ensemble, The Marrow. Expanding out from his debut, Think Like the Waves (Songlines, 2006), recorded with Gary Peacock and Paul Motian, Grdina takes his jazz improvisations further into the ...
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