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Pernille Bévort: Curious Explorations
by Ian Patterson
A veteran of the Danish jazz scene since the '90s, saxophonist/reeds player and composer Pernille Bévort has built an impressive discography as a leader. With the moveable feast that is Radio Bévort, she has demonstrated the depth and range of her musical palette, marrying jazz and tango on Perfect Organisation (Gateway Music, 2011) with bandoneon player ...
Bruno Raberg Tentet: Evolver
by Dan McClenaghan
Bassist Bruno Raberg released a nonet recording, Chrysalis (Orbis Music), in 2002--review here. That was his only foray into recording with a large-ish ensemble. Since Chrysalis he has primarily recorded in small ensembles. Evolver brings him back to the “almost a big band" format in more than twenty years. The disc features a first-rate tentet, with ...
Take Five with Meg Okura
by AAJ Staff
Meet Meg Okura Hailed as “the queen of chamber jazz (All About Jazz)," Tokyo-native Meg Okura is a Grammy-nominated jazz composer and violinist based in New York, known for her music praised by The New York Times as “grandiloquent beauty that transitions easily from grooves to big cascades to buoyant swing." Ms. Okura leads her 10-piece ...
OSU Jazz Orchestra: Angular Tuesday
by Jack Bowers
The splendid Oklahoma State University Jazz Orchestra seldom pauses for breath on Angular Tuesday, its third album under director Tommy Poole. The ensemble enters as though shot from a cannon on Don Menza's frenzied “Time Check," and keeps on swinging and swaying through a lively program that encompasses sunlit compositions by Maria Schneider, Bob Mintzer, Thad ...
Take Five with Pianist Marta Karassawa
by AAJ Staff
Meet Marta Karassawa Marta Karassawa, a Brazilian pianist and arranger, graduated from Berklee College of Music and formed the Marta Karassawa Quintet in 2001, bringing to light the nostalgia of the great jazz quintets of the '40s and '50s. With it, she performed on the stages of various clubs and festivals. Now, completely revamped, she leads ...
Luciana Souza: Cometa
by Angelo Leonardi
Luciana Souza è la massima voce della musica brasiliana più legata al jazz, come testimoniano i molti riconoscimenti, le prestigiose collaborazioni (Herbie Hancock, Maria Schneider, Danilo Perez, Guillermo Klein, Vince Mendoza ecc...) e la decina di dischi a suo nome (tra cui l'intima dedica a Chet Baker in The Book Of Chet). Anche se ha vissuto ...
Arve Henriksen: The Touch of Time
by Scott Gudell
Nordic trumpeter Arve Henriksen has played jazz, metal, folk, eclectic world music--with a nod to Japanese flute--and more. That caused at least one DJ to tell Henriksen “you are the musical chameleon." He will politely acknowledge that statement but has consistently returned to his chosen ground zero of ambient jazz dominated by subtle improvisation. When Henriksen ...
Introducing Saxophonist Olivia Hughart
by Sanford Josephson
Growing up in Lower Merion, PA, a Philadelphia suburb, Olivia Hughart started playing jazz saxophone in middle school. “My parents were big music lovers," she recalled. “We were listening to music all the time. They're huge Yellowjackets fans, so we'd always listen to Bob Mintzer playing. Also, Dexter Gordon, Larry McKenna, Melissa Aldana, and Roxy Coss." ...
David Ambrosio's Civil Disobedience at The Roads Bistro
by Mark Robbins
The Roads Bistro--a new restaurant / listening room--has recently opened in Virginia Beach, VA. Located in a strip mall across the street from the Tidewater Community College, one would be surprised to learn it's the current home of some of the best food and best jazz in the area. Owner, Michael Baldwin, has defied the odds ...
Martin Sjöstedt & Stockholm Jazz Orchestra: Horizon
by Neil Duggan
The Stockholm Jazz Orchestra has been together since 1984--40 years at this writing. That is quite an achievement. especially in an age where large ensembles make little financial sense. In 1986, Bob Brookmeyer joined the band as a guest, eventually leading to his compositions featuring on their debut album, Dreams (Dragon, 1988). Subsequently, they have played ...
