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Soft Machine: Bundles
by John Kelman
If the recent discovery of NDR Jazz Workshop (Cuneiform, 2010) demonstrated that the once considered “transitional" 1973 line-up of British psychedelia-cum-electric-avant- jazzers Soft Machine was, indeed, a fine enough standalone unit, then Esoteric's near- concurrent reissue of 1975's Bundles proves that the addition of guitarist Allan Holdsworth lit one serious fire beneath that same group. Back ...
Manu Katche: Play As You Are
by Ian Patterson
Manu Katché is one of the most original drummers anywhere, defying categorization and straddling musical genres with ease and flair. A French national of Ivorian background, he has turned his hand to pop, rock, fusion and jazz, and his exposure to all these elements, plus his classical training, is indelibly stamped in a playing style all ...
Norwegian Jazz 101b: JazzNorway in a Nutshell 2010
by John Kelman
2008 | 2009 | 2010 | 2011 Norway may be a country that, more than most, aims to expose people from around the world to its culture through annual events like JazzNorway in a Nutshell, but as rich an experience as attending that junket is, returning to it on a regular basis is an ...
Nels Cline: Of Singers and Sound
by Rex Butters
Mimi Melnick's Salons feature some of Los Angeles' best improvising musicians in the most intimate of settings--her home, at the top of a hillside overlooking the San Fernando Valley. This afternoon's trio tunes, and tests sound levels. Bass wizard and longtime UCLA professor Roberto Miranda banters with veteran drummer Bert Karl, while the group's lanky guitarist, ...
Matthew Charles Heulitt: Room to Run
by Ian Patterson
Guitarist Matthew Charles Heulitt's eclectic CV hints at something of his genre-defying style; a member of drummer Zigaboo Modeliste's band and sideman in former Mahavishnu Orchestra and Weather Report drummer Narada Michael Walden's group, he has also performed with Sting, Taj Mahal, Micky Hart and David Grisman, amongst others. This, his debut as leader, impresses on ...
Icons Among Us: Jazz in the Present Tense (Theatrical Version)
by John Kelman
Icons Among Us: Jazz in the Present Tense (Theatrical Version)IndiePix Films2009 Distilling a groundbreaking, four-part, four-hour television documentary--one which finally examined the evolution of jazz in a contemporary, rather than purely historical, context--into a shorter theatrical version is no mean feat. When Icons Among Us: Jazz in the Present Tense aired on ...
John McLaughlin & the 4th Dimension: To The One
by Ian Patterson
John McLaughlin and The 4th Dimension To The One Abstract Logix 2010 It's seems like a while since John McLaughlin recorded in such a stripped down context with a working band. Recordings such as Industrial Zen(Verve, 2006) and Floating Point (Abstract Logix, 2008) found the ...
John McLaughlin and The 4th Dimension: John McLaughlin and The 4th Dimension: To The One
by John Kelman
After two studio albums that fell into the category of special projects--the large-casted but surprisingly cohesive Industrial Zen (Verve, 2005) and synth-laden Floating Point (Abstract Logix, 2008), where the iconic guitarist flipped his past concerns of playing eastern music with a western sensibility by recruiting a largely Indian group to play some very western fusion--John McLaughlin ...
Zbigniew Seifert: Man of the Light
by John Kelman
If ever a title was in need of the wider exposure it eluded when first released, it's Polish violinist Zbigniew Seifert's unparalleled Man of the Light--finally seeing the light of day thanks to Promising Music's ongoing series of remastered re-releases from the German MPS label of the 1960s and '70s. Seifert's death from complications from cancer ...
Take Five With Matt Stevens
by AAJ Staff
Meet Matt Stevens: Matt Stevens is a musician and composer from North London. An instrumental artist, he uses an acoustic guitar and a sampler to create multi-layered tracks live. This is often called Live Looping. His music is compared with artists as diverse as John McLaughlin and Sigur Ros. He plays live all over ...
