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Results for "Mahavishnu Orchestra"
Pitom: Blasphemy and Other Serious Crimes
by Eyal Hareuveni
The sophomore release of Pitom, of one of John Zorn's Radical Jewish Culture series outfits, symbolizes a dead-end in this important musical and cultural movement that began in early nineties. Pitom, led by guitarist Yoshie Fruchter, is influenced by iconic musical figures from visionary seventies fusion bands like Frank Zappa and John McLaughlin's Mahavishnu Orchestra, as ...
Planeta Imaginario: Stretches in Spain
by Mark Redlefsen
Recently from Barcelona, Spain, members of the jazz/rock improv group Planeta Imaginario discussed their new recording Optical Delusions (Cuneiform Records, 2011) and the group's history. Keyboardist and group leader Marc Capel, who speaks Catalan, shared his thoughts through drummer and chief translator Vasco Trilla. Fretless bassist Dimitris Bikos also sat in for the interview.
Matt Haimovitz: Rare Birds
by Ian Patterson
It's a fairly audacious idea for a cello octet to interpret the music of jazz icons such as bassist Charles Mingus, trumpeter Miles Davis and saxophonist Ornette Coleman, never mind the Mahavishnu Orchestra, but clearly, as seen on the compelling Meeting of the Spirits, cellist Matt Haimovitz loves a challenge. Challenge is something he's used to, ...
Cellist Matt Haimovitz Interviewed at All About Jazz
It's a fairly audacious idea for a cello octet to interpret the music of jazz icons such as bassist Charles Mingus, trumpeter Miles Davis and saxophonist Ornette Coleman, never mind the Mahavishnu Orchestra, but clearly, as seen on the compelling Meeting of the Spirits, cellist Matt Haimovitz loves a challenge. After two dozen albums, Haimovitz, in ...
Stanley Clarke: Path Maker
by Esther Berlanga-Ryan
Innovation is a cherished quality in any art form and, truth be told, some follow greatness while others create the patterns that make that same greatness possible. There are teachers, and then, there are students. In jazz, musicians skilled in all sorts of instruments tend to look at their older peers in amazement, and challenges within ...
Ron Carter: All Blues
by John Kelman
In the 1960s and 1970s, few bassists were as ubiquitous as Ron Carter, from the experimental post/free bop of trumpeter Miles Davis's 1960s quintet to straight-ahead swing with guitarist Kenny Burrell and the greater extremes of saxophonist Archie Shepp. With the emergence of CTI Records, Carter became something of a house bassist for the label; on ...
douBt: Never Pet a Burning Dog
by Mark Redlefsen
Guitarist Michel Deville, of the Belgian Wrong Object, and British keyboardist Alex Maguire team up to form a power trio with drummer Tony Bianco as doubt, on its debut, Never Pet a Burning Dog. Deville steps out with a louder, more direct tone, affectionately and more overtly exposing the influence of Terje Rypdal--even including one of ...
CTI Masterworks: The Second Batch
by John Kelman
After a mighty kickoff near the end of 2010, CTI Masterworks is pushing ahead full-steam with another set of six remastered reissues, beautifully packaged in soft digipak editions. Its first batch of reissues included a tremendous, four-disc retrospective box set, CTI Records--The Cool Revolution, and an expanded, double-disc version of 1971's California Concert: The Hollywood Palladium, ...
Take Five With Omar Tamez
by AAJ Staff
Meet Omar Tamez:He studied music with master in composition. He studied with the composer and teacher Nicandro Tamez. Skillful courses of composition and/or conferences with André Richard, Daniel Catán, Mario Lavista, Manuel de Elí¬as, Helmut Lachmann, Pierre Boulez and Karlheinz Stockhausen. Has made concerts in Mexico, United States, Italy, Instrument(s):Guitars, ...
Colin Towns & The NDR Big Band: John Lennon - In My Own Write
by John Kelman
Since 2005, British arranger/conductor Colin Towns has trawled the discographies of Frank Zappa, Mahavishnu Orchestra and Miles Davis for collaborative potential with Germany's NBR Big Band. In every case--most recently, on Visions of Miles (In + Out, 2009)--the focus was on source material in and around the jazz sphere, with plenty of built-in grist for Towns' ...
