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ARTICLE: RADIO

Michael Moore, Django Bates, Lucia Cadotsch, Benjamin Koppel & More New Releases

Read "Michael Moore, Django Bates, Lucia Cadotsch, Benjamin Koppel & More New Releases" reviewed by Ludovico Granvassu

Django Bates celebrated his 60th birthday and 40th anniversary as a musician while marking Bird's centennial with adventurous and witty arrangements for the Norrbotten Big Band. That gives us a cue to look into more Scandinavian and large-ensemble music, following the adventures of Bates' bassist Petter Eldh, as part of the much awaited return of Lucia ...

ARTICLE: RADIO

Broun Fellinis, Eric Revis, Luke Stewart and More

Read "Broun Fellinis, Eric Revis, Luke Stewart and More" reviewed by Maurice Hogue

A trip to the mystical island of Boohaabia (you know, the one near the Oasis of Surprise), is the final stop in this show, courtesy of the Broun Fellinis, but before arriving to destination there are stops at several great new releases, like those of American bassists Eric Revis' excellent Slip Knots Through a Looking Glass ...

Astral Spirits: Lifting the Spirit of Jazz

Read "Astral Spirits: Lifting the Spirit of Jazz" reviewed by Jakob Baekgaard

While pop often follows predictable musical patterns, one of the greatest qualities about jazz is its sense of adventurousness and the ability to take the listener on a journey where the destination is unknown. The Astral Spirits label, based in jny: Austin, Texas, and run by musician Nate Cross, truly embraces this quality of jazz.

The alpine Saalfelden 2019 experience

Read "The alpine Saalfelden 2019 experience" reviewed by Henning Bolte

Saalfelden? For those who don't already know, it is a small Austrian town in a magnificent alpine landscape in the Pinzgau, 70 km west of Salzburg, famous for its jazz festival in August and January and popular as a vacation and sport area. Character The festival has a great 40-years history having built a ...

ARTICLE: ALBUM REVIEW

James Brandon Lewis: An Unruly Manifesto

Read "An Unruly Manifesto" reviewed by John Sharpe

An UnRuly Manifesto feels like the album tenor saxophonist James Brandon Lewis has been working towards since his relocation to New York in 2012. His quintet's standout set at the 2019 Vision Festival was based around this program, no surprise given that this is such a formidable disc. Lewis retains the services of bassist Luke Stewart ...

ARTICLE: IN PICTURES

New York's 24th Annual Vision Festival

Read "New York's 24th Annual Vision Festival" reviewed by Frank Rubolino

Although Europe has a plethora of creative improvised music festivals throughout the year, drawing on a large audience base of appreciative fans, one festival in the USA stands out as the beacon of hope and encouragement for this music in its native land. Now in its 24th year, New York's Vision Festival, presented by Arts for ...

ARTICLE: RADIO

Irreversible Entanglements Live at BIMHUIS Amsterdam

Read "Irreversible Entanglements Live at BIMHUIS Amsterdam" reviewed by BIMHUIS

The message is the undeniable essence of the music for this five-piece Brooklyn-based band featuring poet and spoken word artist Camae Ayewa aka Moor Mother. Irreversible Entanglements came together in Brooklyn, New York, to perform at a Musicians Against Police Brutality event organized after the death of Akai Gurley, which was caused by police ...

ARTICLE: ALBUM REVIEW

James Brandon Lewis: An Unruly Manifesto

Read "An Unruly Manifesto" reviewed by Phillip Woolever

James Brandon Lewis has been climbing the current jazz pantheon for a good while now. This deserving project should elevate the 36-year old tenor saxophonist from Buffalo even higher in the ranks. Backed by the usual collaborators in his touring trio (drummer Warren Trae Crudup III, bassist Luke Stewart) and a pair of familiar ...

ARTICLE: LIVE REVIEW

Irreversible Entanglements a Padova Jazz

Read "Irreversible Entanglements a Padova Jazz" reviewed by Giuseppe Segala

Irreversible Entanglements Teatro Torresino Padova Jazz Festival Padova 5.11.2018 L'impatto sonoro, ritmico ed emotivo su cui si impernia la musica di Irreversible Entanglements è autentico: non mira a stupire o sedurre la platea con virtuosismi oppure con facili formule di presa diretta sul pubblico. È corrosivo, arroventato, ribollente, ...


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