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Barrett Deems: Deemus
by Nic Jones
Drummer Barrett Deems was a man with a pedigree, who took in stints with violinist Joe Venuti from 1937 to 1944, and a four-year run with trumpeter Louis Armstrong in the 1950s. The first years of the following decade found him keeping the musical company of trombonist Jack Teagarden. All of these affiliations are clues to ...
Billie Holiday: The Complete Commodore & Decca Masters
by George Kanzler
Billie HolidayThe Complete Commodore & Decca MastersVerve Music Group2010 In 1959, Nina Simone made a black-pride point about her hit single, “I Loves You Porgy," very publicly proclaiming that she refused to use the (to her) demeaning dialect pronunciation “loves," substituting “love." It was the same year ...
Masters of American Music: The Story of Jazz
by Ken Dryden
Various Artists Masters of American Music: The Story of Jazz Naxos Jazz 2009 Various documentaries have been made about jazz over the years with mixed results. While the 1993 DVD Masters of American Music: The Story of Jazz is only 98 minutes long, it ends up being far more wide-ranging, ...
Carol Morgan Trio: Opening
by Raul d'Gama Rose
Opening is an album so rich in the intricacies of melody that it never fails to surprise at every turn. The saddest aspect of the album is that it is all too short. But the biggest surprise of all is Carol Morgan, a trumpeter who seems to have awakened the urge to find parallels in phrasing ...
Susan Tedeschi: Dreams and Legends
by Alan Bryson
A string of Grammy-nominated albums, along with a critically acclaimed and commercially successful DVD of her appearance on the American television program Austin City Limits, have helped to establish Susan Tedeschi as one of today's premiere blues artists. On top of that, she's performed in front of millions of music lovers by headlining numerous festivals and ...
Papa Bue: 80 at 80
by Chris Mosey
It was the best of times, it was the worst of times. It was an age of duffle coats, beards, sandals and sunglasses. It was the age of Trad. It was how European youth discovered jazz. Britain had Chris Barber, Ken Colyer and, a little further down the line--by which time newspaper headlines were referring to ...
Arturo Sandoval: A Time for Love
by Nicholas F. Mondello
Years ago, on The Tonight Show, host Johnny Carson asked guest Frank Sinatra what music he enjoyed listening to when “in those romantic moments." Sinatra, to the host's surprise, said he particularly enjoyed the hearing works of Debussy, Ravel and other Impressionists and Romantics. With A Time for Love, trumpet legend Arturo Sandoval steps away from ...
Rob McConnell: Boss of Bosses
by Jack Bowers
Even though largely unknown to most of us south of the border, a number of world-class big bands have made their home in Canada over the years. For nearly three decades, however, there was one whose name and influence rose conspicuously above the others. That band was, of course, the incomparable Boss Brass, and the reason ...
Travelling the “Rhythm Road”: Jazz Ambassadorship in the Twenty-First Century
by Victor L. Schermer
When asked to define jazz, Count Basie, said, “Tap your feet!" Rhythm brings people together, and is part of what makes jazz America's musical bridge to the world. “Jazz ambassadorship," a concept which came on the scene over half a century ago, continues into the New Milennium. One current basis for its longevity is that every ...
Mai fidarsi di nessuno. (Louis "Satchmo" Armstrong)
by AAJ Italy Staff
"Déjà lu" volge alla fiction comica. Per gentile concessione dell'autore e dell'editore, che ringraziamo, abbiamo tratto un racconto dal libro di Aldo Gianolio “A Duke Ellington non piaceva Hitchcock," Mobydick Editore, Faenza, 2002. Mentre la cosiddetta buona società assieme a quella che ancora non si poteva definire buona ma che anelava a diventarlo perché si era ...
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