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Lincoln Center Jazz Orchestra
Dedicated to preserving America's jazz heritage, the Lincoln Center Jazz Orchestra is a key component of New York City's Jazz at Lincoln Center program, serving as the highly versatile house band for a wide variety of concert events. The 15-piece orchestra maintains a heavy touring schedule, devoting around six months annually to appearances around the U.S. and at prominent international venues. Additionally, the LJCO participates in many Jazz at Lincoln Center educational events (for both advanced and younger students), and records occasionally, both as their own entity and as a backing group for artistic director Wynton Marsalis. The Lincoln Center Jazz Orchestra was founded in 1988 and in its early years was often conducted by David Berger
Soul Songs, Mose Songs & COVID Aid for Djibouti
by Chris M. Slawecki
Bahama Soul Club Bohemia After Dawn Buyú Records 2020 Soulful original music laced with judicious and striking samples, Bohemia After Dawn serves a textbook example of music that packs an impact larger than the sum of its parts. Written, arranged, produced and performed by Oliver Belz ...
Nat Hentoff: The Never-Ending Ball
by Ian Patterson
This interview was first published at All About Jazz on June 23, 2010. Nat Hentoff was eleven years old when, walking down the road one day in Boston, he heard music so exciting that he shouted with pleasure and ran into the shop to learn that the music was of clarinetist Artie Shaw. In ...
Umbria Jazz Winter 2014
by Libero Farnè
Umbria Jazz Winter Orvieto 28.12.2013-1.1.2014 Come sempre il cartellone di Umbria Jazz Winter, nel clima festoso a cavallo di Capodanno in vari prestigiosi spazi di Orvieto, si è presentato articolato, giostrando fra nomi più o meno noti, fra protagonisti italiani e americani. I nomi emergenti da non lasciarsi sfuggire ...
TJI Ellington Big Band at Musical Instrument Museum
by Patricia Myers
TJI Ellington Big Band Musical Instrument Museum Phoenix, ArizonaJanuary 14, 2014 The Ellington Big Band of the Tucson Jazz Institute delivered an ambitious repertoire that ranged from Wynton Marsalis's complex The Tree of Freedom" to a Pat Metheny chart, with plenty of Ellingtonia in between. This high school band was a ...
Warren Wolf: The Wizard of Vibes
by R.J. DeLuke
Warren Wolf has made his name by playing the vibes, which he does with aplomb. He's as much a virtuoso on the instrument as anyone, even including his jazz elders. That may be, in part, because he was influenced by the sound of Milt Jackson and studied with one of the best in Dave Samuels, while ...
Ron Westray / Thomas Heflin: Live from Austin
by Josep Pedro
A live recording is always a great chance to experience some of the core principles of jazz. Improvisation and spontaneity arise when musicians feel free and comfortable with the tunes and arrangements. A collaborative effort between trombonist Ron Westray and trumpeter Thomas Heflin, Live from Austin was recorded in 2009 at the Elephant Room, one of ...
2010 Jazz Legends Gala Honors George Wein, September 16 at Mission Ranch in Carmel
2010 Jazz Legends Gala Honors George Wein, September 16 at Mission Ranch in Carmel Hosted by Clint and Dina Eastwood, Gala Celebration Features Dinner and Entertainment from 2010 MJF Artist-In-Residence, Vocalist Dianne Reeves Proceeds Support Monterey Jazz Festival Education Programs The Monterey Jazz Festival is pleased to announce that it will honor the legendary impresario, pianist ...
Lincoln Center Jazz Orchestra: Don't Be Afraid... The Music of Charles Mingus
by Jack Bowers
With the Mingus Big Band keeping the music of its namesake alive and flourishing, the question arises, is there a need for another band to canvass the same territory? Apparently the Lincoln Center Jazz Orchestra believes so, hence its newest album, Don't Be Afraid... The Music of Charles Mingus. Well, some of the music anyway, as ...
Lincoln Center Jazz Orchestra: Don't Be Afraid... The Music of Charles Mingus
by Jim Santella
Six compositions by Charles Mingus give the Lincoln Center Jazz Orchestra something different to work with. The swing is still there, but each piece echoes with the emotional strength and ferocity that its composer espoused through his ensembles. As with the original, you get a powerful bass line that leads the way, and you get thrilling ...