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Five Blokes at the Vortex
by Maurice Hogue
This episode of One Man's Jazz features an entire full set of music recorded in March at the Vortex Club in London. Originally the gig was set for Louis Moholo's Four Blokes , but when the veteran drummer fell ill at home in South Africa, the band asked the fine English drummer Mark Sanders to fill ...
Clean Feed’s Latest Releases
by Maurice Hogue
This episode digs into a number of fine new releases from Clean Feed Records. You'll hear tracks from the Simon Nabatov Quintet, the Scandinavian group Inland Empire (featuring Kris Davis), legendary singer Patty Waters, pianist Kaja Draksler, and the hard-nosed Luis Lopes Humanization Quartet (featuring saxophonist Rodrigo Amado). Also new is the Itaca 4et, a joint ...
Liberty Ellman: Last Desert
by Mark Corroto
Guitarist Liberty Ellman doesn't release many albums as a leader. Last Desert is only his fifth in more than twenty years, and fourth for Pi Recordings, following 2015's Radiate. But that doesn't mean he isn't a busy artist. He can be heard with JD Allen, Jason Robinson, Myra Melford's Snowy Egret, Stephan Crump's Rosetta Trio and, ...
Results for pages tagged "Liberty Ellman"...
Liberty Ellman
Born:
Pi Recordings is proud to release Tactiles, the second album by Liberty Ellman, one of New York's most imaginative and unorthodox guitarist/composers. Tactiles follows up the critically acclaimed Orthodoxy, which Ellman released in 1998 on his own Red Giant label. Featuring Mark Shim on tenor saxophone, Stephan Crump on bass, and Eric Harland on drums, Tactiles documents sounds and concepts that have been gestating since Ellman returned to his native New York from the Bay Area in 1998. Tactiles is Ellman's second appearance on Seth Rosner's innovative Pi label - the first being Up Popped the Two Lips by Henry Threadgill's acoustic band ZOOID
JD Allen: Love Stone
by Maurizio Zerbo
Come suggerisce il titolo, alcune canzoni d'amore del repertorio jazzistico sono state qui rivisitate tenendo a mente una regola aurea: l'approfondita conoscenza dei testi, oltre che della musica, per un viaggio introspettivo intorno agli standard. In questi casi si corre il rischio di esporsi ad esiti monocromatici, in parte scongiurati dal duplice apporto solistico di sax-chitarra ...
Henry Threadgill: la sintesi e gli specchi
by Giuseppe Segala
Il settembre 2017 è stato per Henry Threadgill un mese di intensa vendemmia discografica: nel giro di pochi giorni, dal 24 al 27, il compositore e polistrumentista è entrato nello studio Water Music, New Jersey, con due formazioni diverse ma per molti versi complementari, e una bella mole di materiale. Uno dei due organici, denominato Double ...
2019 Winter JazzFest's Weekend Marathon: A Survival Guide
by Ludovico Granvassu
With each passing year, Winter JazzFest—New York's premiere jazz festival—has expanded the number of venues presenting an increasingly diverse array of musicians. There are several ways to approach a programme as dense and exciting as the 2019 edition of the two-day Marathon spanning January 11th and 12th. Thanks to an embarrassment of riches, festival goers face ...
Troy Dostert's Best Releases of 2018
by Troy Dostert
2018 was a terrific year for imaginative, well-executed recordings that cover the spectrum of instrumental configurations in creative jazz and freely improvised music. From Susana Santos Silva's mesmerizing solo trumpet to Ingrid Laubrock's formidable orchestra (and everything in between), the following choices are a cross-section of some of the best the year had to offer. Something ...
JD Allen: Love Stone
by Dan Bilawsky
Beneath this tough tenor's exterior rests the most tender of spirits. If you need evidence, just spend some time with Love Stone. After carving out his rightful place at the apex with a series of brilliant piano-less trio outings focused on pithy originals, saxophonist JD Allen recently felt the winds of change in ...
Liberty Ellman Trio at Crescent Arts Centre
by Ian Patterson
Liberty Ellman Trio Crescent Arts Centre Belfast, N. Ireland April 13, 2018 Liberty Ellman was short his pedals for this Moving On Music gig at Crescent Arts Centre--lost somewhere in transit--but he certainly wasn't short of musical ideas during a constantly engaging ninety-minute set. With four releases in twenty ...
