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The Road to Red
by John Kelman
Another massive King Crimson box, hot on the heels of the 15-disc, 40th Anniversary Series Larks' Tongues in Aspic: The Complete Recordings (DGM Live, 2012), which brought new meaning to the word heavy by collecting every known note--ranging from low to hi-fi--played by the then newly forged, five-piece edition of a group that, in addition to ...
ReDiviDeR: ReDiviDeR meets I Dig Monk, Tuned
by Ian Patterson
Jazz/creative music fans who dig palindromes and anagrams had to wait a long time between trumpeter Miles Davis' Live Evil (Columbia, 1971) and ReDiviDeR's debut Never Odd or EveN (Diatribe Records, 2011). Forty years must be an eternity for addicts of words that spell the same way backwards as they do forwards. In addition to the ...
DouBt: Mercy Pity Peace & Love
by Dave Wayne
Quick, name a jazz-rock trio fronted by a dazzling virtuoso keyboardist and a prodigiously talented electric guitarist that plays in a hyper-aggressive no-holds-barred style which combines edgy free improv with a heavy '70s rock sound. If you answered “the original Tony Williams' Lifetime" you aren't alone. One current trio actively probing the outer reaches of jazz ...
Leo Blanco: Haiku for Bells
by Bruce Lindsay
Leo Blanco is a musician who's immersed in the music of his South American homeland of Venezuela. The pianist may live in the USA--he teaches piano at Berklee--but his Venezuelan upbringing remains central to his work. It's a little surprising, then, to discover that Blanco isn't solely a product of Latin American culture. In conversation backstage ...
Molde International Jazz Festival 2013
by John Kelman
Molde International Jazz Festival Molde, Norway July 15-20, 2013It may have been his last year as festival director, but Jan Ole Otnæs sure went out on a high, not just because his programming was as impeccable as ever, but because he made it a year with a very specific philosophy. ...
SH.TG.N: SH.TG.N
by Dave Wayne
Before the 21st Century, the worlds of metal and jazz rarely, if ever, intersected. But that's all changed, so much so that musicians from both sides of the fence are rethinking their music, demolishing self-imposed genre boundaries and coming up with some truly innovative sounds. Belgium's SH.TG.N has the same sort of pioneering spirit. Yes, the ...
Ligro: Dictionary 2
by Chris M. Slawecki
Recorded in Jakarta (Indonesia) in 2011, Dictionary 2 presents the first international release from one of Indonesia's most acclaimed jazz-rock fusion trios: Drummer/percussionist Gusti Hendy, bassist Adi Darmawan and guitarist Agam Hanzah. (Hendy doubles as a member of Indonesia's pop-rock sensations GIGI.)Dictionary 2 burns with enough kinetic energy to traverse the entire distance of ...
Fusion Groovin’
by Chris M. Slawecki
Analog Players Society Hurricane Season in Brooklyn Studio Brooklyn 2012 Hurricane Season in Brooklyn marks the debut of the Analog Players Society (APS), an extension of the lifelong pursuit of the groove by the percussionist, engineer and producer known as Amon, who first discovered Turkish, West African and Middle Eastern music ...
Berserk!: Berserk!
by Glenn Astarita
What, you might ask, qualifies a record as Berserk? In this case, going Berserk! combines a string of cunning abstracts, tinted with goofy metrics, blistering progressive-rock etudes, anti-pop, heavy metal and ghostly ambient electronics effects. The masterminds are Italians, vocalist/multi-instrumentalist Lorenzo Esposito Fornasari and bassist Lorenzo Feliciati. Perhaps the leaders overdosed on energy drinks, given the ...
Kawabata Makoto: Music Concrete, Space Resurrection, Self-Annihilation
by Jack Gold-Molina
Hailing from Japan, Kawabata Makoto has been a leader in psychedelic rock and experimental music, and an active performer and solo artist since the late 1970s. Mostly famous as a founding member/guitarist for Acid Mothers Temple since the mid- 1990s, he has released literally dozens of albums--many on psychedelic-colored vinyl-- and has done vital work with ...
