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Mulo Francel & Chris Gall: Mythos

by Mike Jurkovic
Even though Mythos exhibits little variation of intent or tone, and perhaps leans towards the blurry borders of new age, this saxophone-piano duet by Mulo Francel and Chris Gall, two European players catching a lot of continental attentionFrancel with the globe-trotting, multiple award winning world music/jazz/acoustic German ensemble Quadro Nuevo, and Gall, who not only frequently ...
The New Golden Age of Jazz Radio

by Karl Ackermann
There was the Jazz Age, and later, the Golden Age of Radio. There was no golden age of jazz radio unless one considers the brief, ten-year reign of devolution when swing music dominated the airwaves. Think about this: New York City has not had a twenty-four-hour commercial jazz radio station in over ten years; decades longer ...
A to JazZ Talks 2019: The Road To International Stage

by Ian Patterson
A to JazZ Talks: The Road To International Stage Literature Club Peroto National Palace of Culture Sofia, Bulgaria July 5, 2019 For the majority of young musicians, the very notion of pursuing a career in music can be daunting, to say the least. Admittedly, it is perhaps easier than ever ...
Kenny G: Playin' It Straight

by Ken Dryden
Kenny G has been categorized as a jazz musician by record companies simply because he plays saxophone. The reality is that his style is actually banal pop consisting of repetitious melodies with short passages of bland improvisation and, occasionally, long-held notes to show off his grasp of circular breathinga technique Clark Terry and Rahsaan Roland Kirk ...
Richie Cole: Blue Collar Bebopper

by Rob Rosenblum
Jazz alto saxophonist Richie Cole wants to reach out to you, whether you are the mayor of a highly popular tourist city or just a guy dropping over for a couple of beers. I play for people," says Cole. People are all the same. If they understand or want to understand jazz, I welcome ...
Lew Tabackin: A Life in Jazz

by Rob Rosenblum
Tenor saxophonist and flutist Lew Tabackin is known as a forceful and dynamic soloist, both in small group and big band settings. His views of the jazz music scene, both past and present, are equally compelling. Recently, I had the opportunity to spend several hours with Mr. Tabackin for this interview. Rather than insert ...
Peter Michael Escovedo & Friends At The Empress Theatre

by Walter Atkins
Peter Michael Escovedo & Friends Empress Theatre Voices From The Heart: The Marc VW Benefit Vallejo, CA March 29, 2017 Peter Michael Escovedo (Kenny G) organized a stellar line up of Bay Area musicians and much more for Voices From The Heart: The Marc VW Benefit ...
Marbin: Goat Man & The House of the Dead

by Dave Wayne
It's truly been fun to watch Marbin grow and develop over the past few years. Their eponymous, self- released debut album, from way back in 2009, was a duet affair with the two principals--saxophonist Danny Markovitch and guitarist Dani Rabin--plying their talents on a clutch of brief and very intricate instrumentals. Sounding at times like an ...
Richie Cole: Have Yourself An Alto Madness Christmas

by Rob Rosenblum
Christmas music is a sort of sub genre of American pop, mostly maudlin and uninspiring in its lyrics, harmony and melody. Yet, it is a perennial magnet for jazz artists. On the other end of the spectrum is Richie Cole, a brash altoist and sort of a merry prankster bebop artist. Fans and critics ...