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Umbria Jazz: Days 4-6, July 13-15, 2009
by Michael J. West
Days 1-3 | Days 4-6 | Days 7-10 The next three days of the Umbria Jazz began with two concert series that promised to be intriguing. American vibraphonist Joe Locke performed three times with Italian pianist Dado Moroni and saxophonist Rosario Giuliani at the very small Oratorio Santa Cecilia church. The trio is recording an ...
Steve Kuhn: Shimmering Beauty
by Maxwell Chandler
This interview was originally published on All About Jazz on March 2, 2009. Whether it is in his trio, collaborating with vocalists or accompanying an orchestra, pianist Steve Kuhn has always managed to effortlessly defy and combine genres. Whether it is an older recording or one of his newer albums, an inherent ability to ...
Kobie Watkins: Involved
by John Barron
Perhaps the title to drummer Kobie Watkins' debut, Involved, makes reference to the Chicago native's involvement with some of the highest profile jazz artists around. A regular in the bands of saxophonist Sonny Rollins, guitarist Bobby Broom, and vocalist Kurt Elling, Watkins has proven himself a stand-out accompanist, possessing a confident blend of fire and sensitivity. ...
Trio 3 + Irene Schweizer: Berne Concert
by John Sharpe
Almost without anyone noticing, Trio 3 has become one of the great working bands in jazz. That's not the default outcome of longevity: though saxophonist Oliver Lake, bassist Reggie Workman and drummer Andrew Cyrille first got together under the Trio 3 moniker back in 1992, they have become, if anything, a more cohesive unit over time. ...
Horace Silver: Finger Poppin'
by Samuel Chell
Finger Poppin' (1959) followed Silver's most under-appreciated (and perhaps most ambitious) Blue Note date, Further Explorations (1958). The cast is different (though the fiery Louis Hayes remains on drums), but the compositions and arrangements by Silver are no less artful and the soloists as inspired as the frontline of Art Farmer and Clifford Jordan from the ...
Wynton Marsalis with Jazz at Lincoln Center Orchestra at the Kimmel Center
by Victor L. Schermer
Jazz at Lincoln Center OrchestraWynton Marsalis, Music DirectorThe Kimmel Center for the Performing ArtsMarch 20, 2009 Wynton Marsalis and the Lincoln Center Jazz Orchestra made a return visit to the Kimmel Center with a full-house crowd on hand and an early Spring March wind in the air. Marsalis quickly indicated the ...
Interview: Helen Merrill (Part 1)
Jazz greats are more sensitive than the rest of us. They have to be to produce honest art. While their angst and emotional unease may not always be evident, a deep sorrow and regret often rests just beneath the surface, coloring their creative mood and expression. Jazz artists who reach for their scars when they record ...
L.A. Jazz Scene 2008: Alive and Swingin'
by Chuck Koton
The Los Angeles scene has often been referred to in patronizing terms by jazz lovers, musicians and writers. It has been said that the city's laid-back vibe deprives musicians of the energy that a New York audience can impart to the bandstand. Others complain that the growth of a hip jazz scene has been impeded by ...
Kenny Burrell: Mr. Good Notes
by Russ Musto
“I'm just trying to play the good notes," says Kenny Burrell, lighthearted laughter accompanying his response to the question of how he would characterize his style of guitar playing. The reply betrayed the genial humility that has long distinguished him as one of the music's truly gracious gentlemen. Burrell has been playing the “good notes" for ...
