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hatOLOGY Reissue Bonanza Continues
by Mark Corroto
Begun in 1975, Hat Hut Records was to become the model for adventurous, independent, new music labels such as Okka Disk, AUM Fidelity and Clean Feed. From the start, founder Werner X. Uehlinger sought out challenging and innovative musicians and music that might have been too risky for major labels to produce. This very small Swiss ...
Carol Morgan Trio: Opening
by Raul d'Gama Rose
Opening is an album so rich in the intricacies of melody that it never fails to surprise at every turn. The saddest aspect of the album is that it is all too short. But the biggest surprise of all is Carol Morgan, a trumpeter who seems to have awakened the urge to find parallels in phrasing ...
Jon Mayer: Nightscape
by Ken Dryden
Jon Mayer was working professionally as a jazz pianist as a teen back in the '50s, while attending the Manhattan School of Music. As well as working as a sideman with Tony Scott, Kenny Dorham, Chet Baker, the Thad Jones/Mel Lewis Orchestra, Sarah Vaughan and others, along with taking part in record dates with John Coltrane ...
Kenny Dorham: Kenny Dorham - The Flamboyan, Queens, NY, 1963 - featuring Joe Henderson
by Francis Lo Kee
Kenny Dorham's big splash in the bebop business was taking over the trumpet chair in Charlie Parker's Quintet. He then became one of the most productive members of the Blue Note community, and his composition “Blue Bossa" has since become a jazz standard. This excellent live set is another wonderful and important issue from Uptown Records. ...
Joe Chambers: Horace To Max
by Edward Blanco
In this follow up to the critically-acclaimed The Outlaw (Savant 2006) recording, Joe Chambers tips his hat to colleagues Horace Silver and Max Roach with Horace To Max, paying tribute to mentor Roach and recognizing Silver as one of the most important composers of the post-bop era of jazz. A highly-regarded session drummer of the '60s ...
Joe Chambers: Horace to Max
by John Kelman
Though best known for his drum work on key 1960s Blue Note sessions with artists including vibraphonist Bobby Hutcherson, pianist Andrew Hill and saxophonist Wayne Shorter, Joe Chambers has gradually built a reputation as an equally distinctive composer and mallet player. Horace to Max is more heavily weighted towards cover material from Shorter, bassist Marcus Miller, ...
Hailey Niswanger: Confeddie
by Joshua Weiner
To look at Confeddie, the new self-produced record by Hailey Niswanger with an artfully posed black-and-white photo of the doe-eyed, comely saxophonist on the cover, the thought that may come to mind is “Great, another Candy Dulfer." Never judge a CD by its cover, to paraphrase some wise man (or, more likely, wise woman) lost to ...
Jeremy Pelt: A Man of Honor
by Esther Berlanga-Ryan
For the younger generation of jazz musicians, those in their thirties today, the path is not always as smooth and easy as we may think it is. Nobody likes to live in anybody's shadow. Jazz is populated with giants who left their mark and those who look up to them in order to be able to ...
Paul Keeling: The Farthest Reach
by Raul d'Gama Rose
The cultures of several musical idioms collide in the music of pianist Paul Keeling on his album, The Farthest Reach. There is a distinct channeling of the pulsating rhythm of late-1960s bop, the gospel of which was spread by musicians such as Lee Morgan and Freddie Hubbard. Keeling also channels the glacial imagery of musicians who ...
The State of Reissues 2010: Dave Brubeck, Art Pepper, Sonny Rollins, Thelonious Monk, John Coltrane and Joe Pass
by C. Michael Bailey
Formed by the merger of West Coast record labels Concord and Fantasy in 2004, the Concord Music Group possesses the largest catalog of recorded jazz earth-side. With such a rich basement, Concord can be expected to launch reissue series from time to time. The label's newest such program is the Original Jazz Classics Remasters series. Original ...
