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1950s and ‘60s Blue Note – Is It All the Same?
by Marc Davis
A few years ago, a reader from California named Charlie F. started a provocative discussion in the All About Jazz forums with the title: “I've decided not to buy any more Blue Note albums." Oh boy. He began, “Recently, I came to notice something about Blue Note albums of the 50s-60s, which was that ...
J.R. Monterose – Blue Note 1536
by Marc Davis
J.R. Monterose is that rare bird at Blue Note Records--the guy who got one shot at leading a band, then practically vanished from the face of the earth. It's odd because the history of Blue Note is filled with famous guys (almost never gals) who took up residence and stayed just about forever. Think ...
Billy Harper: A Life of Persistence and Improvisation
by R.J. DeLuke
On stage, Billy Harper puts his lips to the tenor saxophone, stands relatively erect and sings through his horn; a strong, angular, muscular sound. There little physical gesticulation, belying the effort it takes to express feelings and emotions through the instrument. But Harper's creative statements demand attention. Over the last few years, a lot ...
Bob Lark and His Alumni Big Band: Sweet Return
by Jack Bowers
As was the case two years ago (2012) with its first album, Reunion, trumpeter Bob Lark's Alumni Big Band on Sweet Return is comprised of musicians he has supervised in various groups during a long and eminent career that embodies more than twenty years as director of Jazz Studies at DePaul University in Chicago. Even so, ...
Bob Lark and his Alumni Big Band: Sweet Return
by Edward Blanco
Trumpeter/educator and big band leader Bob Lark, reunites his Alumni Big Band after their critically acclaimed debut Reunion (Jazzed Media 2012), produced some of the best Jazz orchestrations in the business. Sweet Return is the group's encore performance, their return engagement, their audacious follow up and another masterful stroke by leader Lark. This Alumni band is ...
Kenny Dorham: The Complete ‘Round About Midnight at the Café Bohemia – Blue Note 1524
by Marc Davis
I think I have a new favorite hard bop record. For many years, I considered Art Blakey and the Jazz Messengers the perfect hard bop band--the Beatles of the bop set. I still do. I don't know how Blakey managed to find the very best up-and-coming jazz musicians in America, year after year, but ...
Horace Silver and the Jazz Messengers – Blue Note 1517
by Marc Davis
And now we reach the point in our program entitled, “What's The Point?" As in: You already know this album, you may already own this album, and yet here we are, discussing an album that's 59 years old and so widely synonymous with hard bop and Blue Note Records that it was featured on ...
Take Five With Mark Egan
by AAJ Staff
Meet Mark Egan:Over the past 30 years, Mark Egan's ability to groove, perfectly complement the music in any situation and solo expressively has made him one of the most in-demand bass players on the international music scene. While racking up credits with the likes of the Pat Metheny Group, saxophonists Steve Grossman, Dave Liebman, Stan ...
Kenny Lavender: Conscious Journey Part 1 & 2
by Dan Bilawsky
Texas-born, New York-based trumpeter Kenny Lavender is as versatile as can be. He's put his horn to good use on Broadway, playing lead trumpet on Bullets Over Broadway and working in the pit orchestras of other hit shows like The Drowsy Chaperone and West Side Story; he's backed up old pros like Frankie Valli, The Temptations, ...
Thelonious Monk: Genius of Modern Music, Volume 1 – Blue Note 1510
by Marc Davis
There's bebop, there's hard bop--and then there's Thelonious Monk. It's not hard to imagine where the bebop pioneers found their new sound in the late 1940s, after World War II. It emerged from the big bands, which were dying. It was a natural progression. Hard-charging, uber-fast soloists pushed the limits of speed and rhythm, ...
