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How to Play a Tin Whistle Like Michael Brecker
by Peter Rubie
I was talking to a musician friend of mine the other day, asking her how her move from Brooklyn to Forrest Hills was going. She said, “I love it! I love the neighborhood and best of all, musically, I'm not running any more jam sessions at the moment, just doing gigs—and practicing! It's great."
Tina Brooks Quintet: The Complete Recordings
by Chris May
Mosaic Records' spring 2020 release The Complete Hank Mobley Blue Note Sessions 1963-70, the second of the label's box sets devoted to the copiously recorded (and rightly so) Hank Mobley, prompts thoughts of another of Blue Note's singular hard-bop tenor saxophone stylists. Unlike Mobley, Tina Brooks was woefully under-recorded, making just four albums under his own ...
Frank Wess + Kenny Burrell
Some of the hippest small-group albums recorded in the mid-1950s were those by Frank Wess for Savoy. These include Flutes and Reeds (1955), Opus de Jazz (1955) led by Milt Jackson, North South East Wess (1956), Trombones & Flutes (1956), No Count led by Frank Foster, Jazz for Playboys (1957), Flute Suite and Jazz Is Busting ...
Craft Recording's "Chet" is a Rare Win for Baker
by Patrick Burnette
"There's a little white cat out here who's going to eat you up." —Charlie Parker (to Miles Davis) Chet Baker and Miles Davis. Two trumpet players born three years apart. Both unusually handsome and slight of build. Both lacking, as trumpeters, the qualities most often associated with those brass alphas of the jazz ...
Randy Napoleon: Common Tones
by Chris M. Slawecki
Randy Napoleon may represent the new school of Detroit guitar players emerging from the lineage of Kenny Burrell and (Motown) Funk Brothers Dennis Coffey and Joe Messina, but his approach and sound on Common Tones are old school for sure. His fifth set as a leader (on the Detroit Music Factory label) collaborates across four generations ...
Back in the Day, Around the World
by Chris M. Slawecki
Brooklyn Funk Essentials Stay Good Dorado Records 2019 Back in the day, jazz bands like Roy Ayers' Ubiquity and soul bands like the Ohio Players played more than jazz and soul. Jazz and soul were their main ingredient, but only one ingredient among others stirred in ...
Dave Stryker: Guitars, Organs & Eight-Tracks
by Mark Sullivan
Guitarist Dave Stryker grew up in Omaha, Nebraska and moved to New York City in 1980. His big break came when he joined organist Jack McDuff's group for two years, from 1984-85. It was through McDuff that Stryker met tenor saxophonist Stanley Turrentine, who would occasionally sit in. After leaving McDuff, Turrentine asked Stryker to join ...
Results for pages tagged "Kenny Burrell"...
Kenny Burrell
Born:
After 40 years as a jazz professional, appearing on several hundred albums as leader and sideman, Kenny Burrell is among the handful of guitar greats who have forever changed the role of their instrument. Staunch musical integrity and discriminate taste coupled with matchless technique have made the guitarist nonpareil among his peers. "My goal is to play with good tone, good phrasing and to swing," says Burrell, "I strive for honesty in playing what I feel." "Master instrumentalist and composer," "virtuoso," "historic figure of American guitar." "Ellington's favorite guitar player"—this is a typical sampling of the critical praise routinely bestowed on Burrell, who pioneered the guitar-led trio with bass and drums in the late Fifties
John Jenkins & Kenny Burrell
Alto saxophonist John Jenkins never recorded a bad album—as a leader or a sideman. When you hear him, the first person you think of is Jackie McLean. Both had an urgent, insistent edge, particularly on the saxophone's upper register. Remarkably, Jenkins recorded just 11 albums, only three of which were leadership dates. Given how special Jenkins ...
Chet Baker: Chet
by Karl Ackermann
In the early 1950s, the rural Oklahoman Chet Baker established prominent connections in the jazz world; gigs with Charlie Parker and Stan Getz led to his first recordings. The trappings of both musicians' circles were dusted with heroin and Baker's career breaks coincided with his introduction to the disease that would stifle his musical development and ...
