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Live in Schauburg, Bremen, Germany, 1983
by Jakob Baekgaard
The history of jazz is not only a story of great individuals, but also a narrative of partnerships that have shaped the development of the music. Just think of Charlie Parker and Dizzy Gillespie, Louis Armstrong and Earl Hines and Al Cohn and Zoot Sims. There's also a proud tradition of combining saxophone and piano with ...
Jazz from Europe on ECM (1972 - 1976)
by Russell Perry
Previously in this series we have surveyed record labels as representative of the jazz trends in their times—for example bebop on Dial in the 40s, mainstream jazz on Verve in the 50s, and hard bop on Blue Note in the 60s. The German label ECM can be seen as representative of a major trend of the ...
Jim Black Trio: Reckon
by John Sharpe
The piano trio field is a big one, even that corner reserved for the evenly poised triumvirate heirs to Bill Evans. But drummer Jim Black's unit carves out its own distinctive acre. On the fourth album since its inception in 2011 the threesome, completed by NYC-based, Austrian-born pianist Elias Stemeseder and bassist Thomas Morgan, has reached ...
Chris McCarthy: Still Time to Quit
by Paul Rauch
From 2017 to 2020, composer and pianist Chris McCarthy charted a path as a noted sideman for such notables as Jerry Bergonzi, Ben Allison and Jason Palmer. He was often seen performing with vibraphonist Sasha Berliner and in duet with vocalist Clotilde Rullaud. In short, he has gained a reputation for imaginative and supportive playing.
The Touch of Your Lips, Part 3: The Essential Touch in Jazz Piano
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 It would be nice and tidy if the development of tone color as a primary in jazz piano matched its development in the other instruments, but that is not the case. From early on in jazz's history, composers and bandleaders like Duke Ellington, Count Basie, Cab ...
Andy Milne: The reMission
by Mike Jurkovic
Ever hear a disc and wonder why the deep-seated beauty of some players' music escapes your radar? Juno Award-winning pianist and composer Andy Milne's The reMission, a challenging, tough, terse and ultimately triumphant recording, is one of those. One of those discs that, after several uninterrupted listens, has one digging into the discography scrambling to catch ...
Albert Ayler Trio: 1964: Prophecy Revisited
by Mark Corroto
Albert Ayler is often quoted as saying “Trane was the Father, Pharoah was the Son, I am the Holy Ghost," referring to John Coltrane, “Pharoah Sanders," and himself. It might be better said that Ayler was John The Baptist, the musical prophet that proclaimed the coming of free jazz. Like many a prophet, his end was ...
Wolfgang Muthspiel: Continuing The Dream
by R.J. DeLuke
Jazz has always traveled. It finds inquisitive musicians all over the globe, where often, people outside the U.S. receive the message more readily than those in the country where it was born. Austrian guitarist Wolfgang Muthspiel was already improvising with his older brother, for fun, in the time leading up to his discovery of the art ...
Farnell Newton, Nuphar Fey and a tribute to Jon Christensen
by Bob Osborne
Two featured new albums from Farnell Newton and Nuphar Fey and a comprehensive tribute to Norwegian drummer Jon Christensen who passed away on 18th February Farnell Newton gets up on the good foot and heads off full speed ahead on his second leader album for Posi-Tone. This action packed session features the high powered ...
A Jazz Immuno-Booster: Part 2
by Ludovico Granvassu
Our sequestration continues. But so does this mix-tape series featuring music selected by jazz musicians to whom we have asked to share one song they rely on when they need to be uplifted, or soothed, and to make us fly beyond the walls that keep us protected from the greatest pandemic of our generation.
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