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Roy Assaf: Respect, Vol.1
by Dan Bilawsky
Innovation and as-yet-unheard-of ideals tend to sell headlines in jazz, but they mean nothing without respect for those who paved the road to the present. Many young emerging talents seem content to walk into jazz without doing their due diligence in discovery and digestion, but that often puts them in a peculiar position of being a ...
Ithamara Koorax: Celestial Elegance
by Chris M. Slawecki
Singer thamara Koorax recorded her 15th solo CD, Got to Be Real (Irma, 2012), “live in the studio" in Rio de Janeiro, the place of her birth, with her touring band--bassist Jorge Pescara, drummer Haroldo Jobim (a cousin of Antonio Carlos Jobim) and keyboardist Jose Roberto Bertrami, founding member of Brazil's famous fusion export Azymuth, on ...
Take Five With Taeko Kunishima
by AAJ Staff
Meet Taeko Kunishima: Taeko Kunishima started playing piano at seven. Particularly taken by Mozart and Beethoven, she later studied classical piano performance at university. On hearing Miles Davis for the first time, her direction changed, leading her to explore the music of many different jazz artists, and to develop her own improvisatory technique whilst ...
Beka Gochiashvili: Beka Gochiashvili
by Dan Bilawsky
Those who toil in the jazz trenches often spend a lifetime trying to develop their own sound and acquire a high-level understanding of this music, but a select few seem to be born into the fold. Drumming innovator Tony Williams, guitar sensation Julian Lage and pianist Eldar Djangirov were playing at an über-proficient level as children ...
Lee Konitz / Bill Frisell / Gary Peacock / Joey Baron: Enfants Terribles: Live at the Blue Note
by Mark Corroto
Super groups are, by their very nature, either bright shining stars or catastrophic exploding supernovae. Dream team basketball lineups get beat by upstarts, and the new Stallone/Schwarzenegger/Van Damme movie is sure to be a nonstarter. The reasons for the flops are usually chemistry and vision, both essential requirements.Same can be said for jazz groups. ...
Lee Konitz / Bill Frisell / Gary Peacock / Joey Baron: Enfants Terribles: Live at the Blue Note
by John Kelman
The idea of going into a club and playing a set of standards without any plans, preconceptions or pre- arrangements ain't exactly new; it's what plenty of jazz musicians do, each and every night. But it's one thing to go in and run down some Real Book charts, head-solo-head style, and give everyone a chance to ...
ACT: 20 Years of Magical Music
by Jakob Baekgaard
Nowadays, creating a record label is closer to the norm than the exception. The real sign of success in a fleeting music business, where the sale of records constantly declines, is staying power. This year, 2012, the German record label ACT Music is able to celebrate its 20th anniversary. Not a mean feat for a company ...
Mike Nock / Laurenz Pike: Kindred
by John Kelman
Despite the lack of major label support--or, perhaps, as a result of it--jazz appears to be in a strange period of ascendancy, where the number of people playing it seems diametric to the industry support it receives. New Zealand-born Mike Nock should know; since relocating to Sydney, Australia in the mid-1980s--after spending a quarter century in ...
Brad Mehldau Trio: Where Do You Start
by John Kelman
Hot on the heels of Brad Mehldau's Ode (Nonesuch, 2012)--the pianist's first all-original set with his current trio--comes Where Do You Start, culled from the same recording sessions but, with the exception of one Mehldau tune, all cover material. This isn't the first time Mehldau has split a particularly fruitful session down the same compositional line: ...
What Is Jazz Now?
by Dom Minasi
Back in February, All About Jazz Managing Editor John Kelman asked me to develop a column based on points I made in the comment section of the article BAM or JAZZ: Why It Matters. I still feel the same way, but trumpeter Nicholas Payton's statement that jazz died in 1959 made me think, and I've been ...
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