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Article: Extended Analysis

The Boyé Multi-National Crusade For Harmony

Read "The Boyé Multi-National Crusade For Harmony" reviewed by Stefano Merighi


Che trionfo per Julius Hemphill! A dispetto delle poche pagine--o righe--che le recenti storie del jazz dedicano al maestro di Fort Worth, Hemphill emerge da questo cofanetto di inediti come sassofonista-improvvisatore-compositore tra i più profondi della musica afroamericana nei decenni compresi tra gli anni '70 e '90. E questa preziosa edizione non solo ...

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Article: Album Review

Julius Hemphill: The Boyé Multi-National Crusade For Harmony

Read "The Boyé Multi-National Crusade For Harmony" reviewed by Mark Corroto


There is something inherently objectionable when a billionaire acquires an artistic masterpiece by say, Leonardo DaVinci or Claude Monet, only to sequester it from public view. You might feel the same about Julius Hemphill's recordings Dogon A.D. (Mbari, 1972) and 'Coon Bid'ness (Arista/Freedom, 1975). Both five star recordings, now out of print, cost a small fortune ...

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Article: Album Review

Michael Gregory Jackson: Frequency Equilibrium Koan

Read "Frequency Equilibrium Koan" reviewed by Troy Dostert


One of the undersung elder statesmen of the jazz avant-garde, guitarist Michael Gregory Jackson played a vital role in the burgeoning loft scene of the 1970s, where his work with Oliver Lake was especially noteworthy. On albums like Lake's Holding Together (Black Saint, 1976) and Zaki (hatOLOGY, 1979), Jackson brought a deep reservoir of influences, not ...

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Article: Radio & Podcasts

Julius Hemphill, William Parker, Charles Lloyd, Sam Rivers & More New Releases

Read "Julius Hemphill, William Parker, Charles Lloyd, Sam Rivers & More New Releases" reviewed by Ludovico Granvassu


This week we focus our attention on two fundamental box-sets and a slew of live recordings the synchronicity of whose release draws the spotlight on musicians who were at the center of the legendary Loft Scene (from Julius Hemphill to Sam Rivers, Michael Gregory Jackson and JuJU), as well as on some of those musicians who ...

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Article: We Travel the Spaceways

The Volcanic World Of Pyroclastic Records

Read "The Volcanic World Of Pyroclastic Records" reviewed by Mark Corroto


As listeners we so often typecast musicians and music labels. Artists are pigeonholed into silos: classical, jazz, rock, blues, pop, etc.. Go into any record store (if you can find a brick & mortar one) and this segregation, a forced separation, is also evident. Even streaming services are divided in this manner. Maybe it is just ...

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Article: Album Review

Tim Berne: The Deceptive 4—Live

Read "The Deceptive 4—Live" reviewed by Mark Corroto


The difference between disc one and disc two of Tim Berne's Snakeoil release The Deceptive 4, two live recordings made eight years apart, might be the same difference between Miles Davis' first and second great quintets. Where Davis' The Legendary Prestige Quintet Sessions (Prestige, 2006) with John Coltrane from 1955-56 are stellar, they lack the complex ...

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Article: Album Review

Alex Harding, Lucian Ban: Dark Blue

Read "Dark Blue" reviewed by Neri Pollastri


Duo estremamente longevo questo tra il pianista di origini rumene Lucian Ban e il sassofonista di Detroit Alex Harding, questo Dark Blue è il loro quarto album, ma esce a undici anni dal precedente. E la loro intesa è tangibile lungo tutto l'arco del programma, che include solo brani originali (sei di Harding e cinque di ...

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Article: Building a Jazz Library

Muse Records: Ten Smoking Hot Albums

Read "Muse Records: Ten Smoking Hot Albums" reviewed by Chris May


Alone among the other great jazz labels of the 1960s and 1970s—Blue Note, Prestige, Riverside, Impulse!, Strata-East and Atlantic—Joe Fields' Muse is rarely anthologised, written about or otherwise celebrated. Yet like its peers, Muse was prolific, releasing over 200 premium-grade albums during the 1970s, its most active decade, alone. This relative obscurity is ...

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Article: Radio & Podcasts

Jazz from the Black Saint Label (1975 - 1989)

Read "Jazz from the Black Saint Label (1975 - 1989)" reviewed by Russell Perry


Ironically, the record label that most consistently offered an outlet for the American jazz avant-garde in the 1980s was the Italian Black Saint / Soul Note imprint. On All About Jazz, Jeff Stockton wrote, ..."from 1984 to 1989 Black Saint won the Down Beat critics poll for “Best Label" and “Best Producer" and established itself as ...

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Article: Radio & Podcasts

A Jazz Immuno-Booster: Part 5

Read "A Jazz Immuno-Booster: Part 5" reviewed by Ludovico Granvassu


Back to popular demand! Here's some more musical therapy for these trying times, the fifth installment of this popular mix-tape series, featuring selections by Tim Berne, Theo Bleckmann, Stefano Bollani, Tommaso Cappellato, Taylor Ho Bynum, Dominique Fils-Aimé, Mats Gustaffson, Maya Keren, Brad Mehldau, Aaron Parks, Rosa Brunello and Ben Wendel. Happy listening! Stay safe ...


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