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Julian Siegel

JULIAN SIEGEL is an in-demand saxophonist on the European Jazz scene who has worked with many of the top figures in the music. He was awarded the 2007 BBC Jazz Award for Best Instrumentalist. His current bands are the Julian Siegel Quartet featuring pianist Liam Noble, bassist Oli Hayhurst and drummer Gene Calderazzo, the band’s CD ‘Urban Theme Park’ received widespread critical acclaim winning the 2011 London Jazz Award. Since 1996 Julian has co-led the influential band Partisans with the award-winning guitarist Phil Robson, the band played major Jazz Festivals in USA and Canada in the Summer of 2014, releasing their fifth album ‘Swamp’ on Whirlwind Records

ARTICLE: LIVE REVIEW

Brilliant Corners 2020

Read "Brilliant Corners 2020" reviewed by Ian Patterson

Brilliant Corners 2020 Various Venues jny:Belfast, N. Ireland February 27 to March 7, 2020 Maybe it's global warming, for just as the first bloom of spring in these strange times appears in February, so too, Brilliant Corners starts ever earlier. From its first, modest edition over three days ...

Vista

Label: Whirlwind Recordings
Released: 2018
Track listing: The Opener ; I Want To Go To Brazil; Song; Pastorale; Un Poco Loco; Billion Years; Vista; Full Circle; The Goose; Idea; The Claw.

ARTICLE: ALBUM REVIEW

Julian Siegel Quartet: Vista

Read "Vista" reviewed by Roger Farbey

Julian Siegel is an in-demand and award-winning British saxophonist who teaches saxophone in the jazz department of London's Royal Academy of Music. This is his Quartet's follow-up to their London Jazz award-winning album Urban Theme Park (Basho Records). Although Siegel is no stranger to Whirlwind Recordings in his role as a member of Partisans who released ...

ARTICLE: LIVE REVIEW

Live From Birmingham: Partisans, Rascals Of Rhythm, Amok Amor, John McEntire & Schneider Kacirek

Read "Live From Birmingham: Partisans, Rascals Of Rhythm, Amok Amor, John McEntire & Schneider Kacirek" reviewed by Martin Longley

Partisans Wolverhampton Arena Theatre November 14, 2015 Partisans have now been playing together for two decades, in a completely unchanging four-piece configuration. Bonds have been formed, lines have intertwined, rapport greases repertoire negotiation, and comfort encourages greater risk-taking. The band made several comments about savouring the Arena Theatre's vibrations, ...

ARTICLE: LIVE REVIEW

Jazz Found Alive! Man In Blue Suede Shoes Wanted For Questioning.

Read "Jazz Found Alive! Man In Blue Suede Shoes Wanted For Questioning." reviewed by Duncan Heining

Colin Towns' Mask Orchestra LSO St. Lukes London October 17, 2015 The gap between the music that Colin Towns makes and much that currently passes for jazz grew even wider last weekend. Performing compositions from his new double CD Drama with his stellar Mask Orchestra, the composer-bandleader revealed the music's potential ...

ARTICLE: ALBUM REVIEW

Phil Robson: The Cut Off Point

Read "The Cut Off Point" reviewed by Roger Farbey

With four albums already to his name and another four by the band Partisans which he co-leads with saxophonist Julian Siegel, British guitar phenomenon Phil Robson hardly needs any introduction, save that his new musical departure is realised by an organ trio offering a smörgåsbord of exciting and imaginative compositions. “Thief" hits the ground ...

ARTICLE: YEAR IN REVIEW

Phil Barnes' Favourite Albums of 2014

Read "Phil Barnes' Favourite Albums of 2014" reviewed by Phil Barnes

The sheer volume of great records that I have managed to hear, and the knowledge that there are many more that I haven't, means that I make no pretence of presenting a list of the definitive albums of the year. Instead, this is a snapshot list of the ten records that I have enjoyed the most ...

ARTICLE: EXTENDED ANALYSIS

Dylan Howe: Subterranean (New Designs on Bowie's Berlin)

Read "Dylan Howe: Subterranean (New Designs on Bowie's Berlin)" reviewed by Phil Barnes

Jazz musicians love the tribute album, perhaps more than the listeners who receive them. That opportunity to suggest affiliation, tapping into an already established audience can be tempting and a useful much needed marketing tool as industry-wide sales collapse. But really there is no reason why a tribute can't work -do it with love, for the ...


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