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Article: Album Review

Winnipeg Jazz Orchestra: Suite Messiah / Steppin' Out

Read "Suite Messiah / Steppin' Out" reviewed by Jack Bowers


Suite Messiah, recorded in 2012 and 2014, is the third and most recent album produced by the excellent Winnipeg Jazz Orchestra from central Canada, while Steppin' Out was recorded in 2007 to mark the orchestra's tenth anniversary. Whereas Suite Messiah is altogether seasonal, Steppin' Out salutes the Great American Songbook by renovating a dozen of its ...

15

Article: Year in Review

2014: The Year in Jazz

Read "2014: The Year in Jazz" reviewed by Ken Franckling


The year 2014 turned out to be a year noteworthy for its numbers. Newport turned 60, Blue Note turned 75, International Jazz Day's third edition featured 900 events in more than 190 countries. The jazz world lost seven of its NEA Jazz Masters, and New Orleans trumpeter Lionel Ferbos died at 103. Sad but not unexpected, ...

4

Article: Album Review

Luca Ciarla: Violinair

Read "Violinair" reviewed by Duncan Heining


"I would be interested to know what you think of my record." The reluctant reviewer takes the CD, heart sinking, thinking to themselves, “I very much doubt it." On this occasion, I am, however, grateful to Italian violinist, Luca Ciarla. He's certainly not without self-assurance but, fortunately, that confidence is well-matched by the genuine talent evident ...

7

Article: Extended Analysis

Ira B. Liss: It's About Time

Read "Ira B. Liss: It's About Time" reviewed by Jack Bowers


So are there any first-rate big bands worth hearing in California outside of the Los Angeles area? So happy you asked. As a matter of fact, San Diego is solidly entrenched in that position thanks to the superb Ira B. Liss Big Band Jazz Machine which, coincidentally, has recorded a spectacular new album, It's About Time. ...

21

Article: Album Review

Sylvie Courvoisier Trio: Double Windsor

Read "Double Windsor" reviewed by Henning Bolte


The piano trio is the supreme discipline in jazz. Through rich possibilities, it functions as a strong filter sifting out those few who were and are able to set new standards. What matters is how the three instrumental vertices relate to each other dynamically, harmonically and soundwise to build something coherent, in close dependency. Eventually, each ...

14

Article: Extended Analysis

Rafael Rosa: Portrait

Read "Rafael Rosa: Portrait" reviewed by Ian Patterson


In jazz terms Puerto Rico has certainly punched above its weight, producing Juan Tizol--a mainstay of Duke Ellington's bands in the 1930s and 1940s, Eddie Gomez and Manolo Badrena--who came to prominence in the 1960s/1970s through their respective associations with pianist Bill Evans and Weather Report--and latterly David Sanchez. Lesser known--though perhaps that's soon to change--is ...

25

Article: My Blue Note Obsession

J.J. Johnson: The Eminent Jay Jay Johnson, Volumes 1 and 2 – Blue Note 1505 and 1506

Read "J.J. Johnson: The Eminent Jay Jay Johnson, Volumes 1 and 2 – Blue Note 1505 and 1506" reviewed by Marc Davis


Think of jazz, and the trombone almost never comes to mind. Didn't used to be. In the beginning, every jazz band had a trombone. But that was the Dixieland era, and Dixieland bands aren't much in vogue anymore. (Unless you're a fan of HBO's Treme and you listen to Trombone Shorty. Sadly, not enough ...

5

Article: Live Review

Fred Hersch at Miner Auditorium

Read "Fred Hersch at Miner Auditorium" reviewed by Harry S. Pariser


Fred Hersch Miner Auditorium, SFJazz Fred Hersch Solo at SF Performances San Francisco March 8, 2014 No stranger to San Francisco, pianist Fred Hersch has been a frequent guest of SF Performances, having last performed here in 2011 when he presented My Coma Dreams, an evening-long work for eleven instruments ...

5

Article: Album Review

John La Barbera Big Band: Caravan

Read "Caravan" reviewed by Jack Bowers


Summoning Juan Tizol's travel-worn “Caravan" to raise the curtain on a big-band album poses a challenge for any arranger, one that John La Barbera easily brushes aside on the third recording as leader of his own ensemble. And while “Caravan" dazzles in La Barbera's capable hands, it is merely the opening salvo in a session that ...

7

Article: Record Label Profile

Cellar Live Records: The Finest in Live Jazz Recordings

Read "Cellar Live Records: The Finest in Live Jazz Recordings" reviewed by Mike Oppenheim


Cellar Live Records is a contemporary jazz label located in Vancouver, British Columbia. Jazz saxophonist and producer Cory Weeds founded the label in 2001, one year after purchasing The Cellar Restaurant and Jazz Club (later renamed Cory Weeds' Jazz Cellar). Since that time, Cellar Live Records has released over seventy albums. Performers at Cory ...


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