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About Juan Tizol

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Musician

Juan Tizol

Born:

Juan Tizol was born in San Juan Puerto Rico on Jan. 22, 1900, started music lessons early, was trained as a valve trombonist and as a teenager played in the San Juan Municipal Band. Tizol moved to the U.S. in 1920 and became valve trombonist in the pit band of the Howard Theatre in Washington DC, was a member of the Marie Lucas Orchestra, Bobby Lee’s Cottonpickers, and the White Brothers Band. His big break came in August of 1929 when he joined the Duke Ellington Orchestra. He would remain with Duke for fifteen years, and became an integral part of the bands sound. His contribution to the Duke legacy would be in his two compositions “Caravan”, and “Perdido”

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Article: Album Review

ContraPunctus: ContraPunctus

Read "ContraPunctus" reviewed by Bret McCabe


The New York quartet ContraPunctus eases into the third track on its 2026 self-titled debut with about 15 seconds of musical suggestion. Bassist Gui Duvignau and drummer Hamir Atwal respond to pianist Carmen Staaf's gentle Fender Rhodes melody with a tempo that starts at a comfortable clip. Staaf eloquently establishes the melody in the next few seconds--Juan Tizol and ...

2

Article: Album Review

Giovanni Hidalgo: Jubilation

Read "Jubilation" reviewed by Don Ball


While Bad Bunny is making Puerto Rican culture better recognized in contemporary popular music, jazz has long championed the island's rich musical traditions and artists, from the legendary composer and trombonist Juan Tizol to the rollicking pianist Eddie Palmieri to the soulful saxophonist Miguel Zenón, among many others. Included in that group would be Giovanni Hidalgo, ...

9

Article: Album Review

Albert Marquès / Rachel Therrien: Dialogue (Vol. I & II)

Read "Dialogue (Vol. I & II)" reviewed by Artur Moral


Except for the most radically experimental music, in a jazz context increasingly dominated by written scores that leave little room for improvisation, the appearance of a musical diptych centered on the latter is undoubtedly most welcome. This applies both to individual discourse and to creation shared simultaneously by various performers. Granted, many listeners may be absolutely ...

31

Article: Album Review

Linda Dachtyl: Full Steam Ahead

Read "Full Steam Ahead" reviewed by Jack Bowers


Full Steam Ahead, Ohio-based organist Linda Dachtyl's fifth recording as leader of her own groups, is a largely upbeat studio session wherein she oversees a trio--guitarist Don Hales, drummer and husband Cary Dachtyl--on six of ten numbers. The threesome by itself is quite good, so much so that one might reasonably argue that ...

23

Article: Live Review

Baku Jazz Festival 2025: Part 2

Read "Baku Jazz Festival 2025: Part 2" reviewed by Ian Patterson


Part 1 | Part 2 Baku Jazz Festival Various Venues 20th edition, Days 5-8 Baku, Azerbaijan October 24-31, 2025 Driving around Baku the brightly colored dayglow signs advertising Baku Jazz Festival 2025 catch the eye at every turn. So do posters for COP 29, ...

35

Article: Album Review

The DIVA Jazz Orchestra: Tappin' Thru Life

Read "Tappin' Thru Life" reviewed by Jack Bowers


Tappin' Thru Life is more than the title of a jazz album; it is a philosophy, one that guided Maurice Hines through most of his 80 years and all of his epic career as an acclaimed tap dancer and entertainer. The album is based on Hines' autobiographical stage show of that name whose music director, drummer ...

4

Article: Album Review

Tom Caraher: Ninety Degrees

Read "Ninety Degrees" reviewed by Ian Patterson


For his debut as leader, Irish saxophonist Tom Caraher has roped in some of the country's finest jazz musicians to bring his music to life. The album clocks in around the length of an old vinyl, which, for some tastes is ideal in terms of attention span--it is easy to overegg it these days, with digital ...

25

Article: Album Review

Paul Vornhagen: Live at the Blue LLama

Read "Live at the Blue LLama" reviewed by Jack Bowers


Saxophonist and composer Paul Vornhagen, a durable pillar on Detroit's jazz scene for almost three decades, puts his working quartet straight to work on this inspiring concert date, recorded in November 2023 at the Blue Llama Jazz Club in Ann Arbor, Michigan. The group's precision and empathy are clear from the outset, as ...

34

Article: Album Review

The Empress: Square One

Read "Square One" reviewed by Jack Bowers


The Empress is a New York City-based co-op septet whose front line consists of four saxophonists. Based on its title, the assumption is that Square One is the group's first recording as a unit. The Empress is the idea of award-winning saxophonist Pureum Jin, who enlisted the renowned German writer and saxophonist Michael Lutzeier to arrange ...


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