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Article: Album Review

Ashley Daneman: Beauty Indestructible

Read "Beauty Indestructible" reviewed by Angelo Leonardi


È un disco che colpisce, questo di Ashley Daneman, e merita tutta la nostra attenzione. Per certi aspetti ricorda quello di Becca Stevens di qualche anno fa: entrambe sono affascinanti e personali singer/songwriter che attualizzano la lezione di Joni Mitchell e Laura Nyro in percorsi eclettici, assegnando al jazz un ruolo significativo. Qualcosa che ...

Article: Book Review

Storia della Fusion

Read "Storia della Fusion" reviewed by Mario Calvitti


Storia della Fusion Vincenzo Martorella 281 Pagine Arcana La nuova edizione del saggio sulla fusion di Vincenzo Martorella, pubblicato originariamente da Castelvecchi nel 1998, è molto di più di una semplice ristampa (che già sarebbe stato motivo sufficiente a consigliarne l'acquisto). L'autore ha operato infatti non tanto una revisione del ...

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Article: Album Review

Randy Brecker: RandyPOP!

Read "RandyPOP!" reviewed by Dan Bilawsky


This album gives new meaning to the idea of rewriting history. Before trumpeter Randy Brecker had ascended to the top rung on the jazz ladder he was making his mark as a hired gun in studios and on stages. His horn can be heard on numerous classic recordings, including those of James Brown, Donald Fagen, Bruce ...

Article: Book Review

Possibilities - L'autobiografia

Read "Possibilities - L'autobiografia" reviewed by Angelo Leonardi


Possibilities -L'autobiografia Herbie Hancock con Lisa Dickey 366 Pagine ISBN: 978-88-7521-667-2 Minimum Fax 2015 Da mezzo secolo Herbie Hancock è un protagonista del jazz e di generi popolari come funk, rock, rap, pop e reciproche commistioni. È il musicista che più ogni altro ha scorazzato nelle nuove tecnologie, ...

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Article: Album Review

Fred Hersch: Solo

Read "Solo" reviewed by Mark Sullivan


To paraphrase the famous remark Miles Davis made about Bill Evans, Fred Hersch plays the piano the way it ought to be played. This album documents a live performance from August, 2014, which was not originally intended for release. But when Hersch listened to it, he changed his mind. “I firmly believe this may be the ...

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Article: Interview

Halie Loren: Butterfly Soaring

Read "Halie Loren: Butterfly Soaring" reviewed by R.J. DeLuke


Its hard to categorize Halie Loren--for those who feel the need to do so--a singer/songwriter who started performing at age 10 in her native state of Alaska and now, from her home in Oregon, tours jazz clubs and jazz events on a regular basis in different parts of the world and regales audiences with her light, ...

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Article: Album Review

Fred Hersch: Solo

Read "Solo" reviewed by Dan Bilawsky


When it comes to the art of solo piano in jazz, there are currently two classes of performers: Fred Hersch and everybody else. A statement such as that might spur the jazz cognoscenti to ready the pitchforks and torches, but that threat doesn't make that claim any less true. Keith Jarrett may surpass ...

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Article: Extended Analysis

Manu Katche: Touchstone for Manu

Read "Manu Katche: Touchstone for Manu" reviewed by John Kelman


With only four records released as a leader on ECM, it may seem a little early to release a “best of" disc for drummer Manu Katché. But having since moved on to fellow German label ACT for Live in Concert, while Touchstone for Manu is only being released in North America in the summer of 2015, ...

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Article: Live Review

North Sea Jazz Festival Recap: A Moveable, Musical Feast

Read "North Sea Jazz Festival Recap: A Moveable, Musical Feast" reviewed by Joan Gannij


North Sea Jazz Festival Rotterdam, Netherlands July 10-12, 2015 Three days immersed in sounds and sensations. Followed by two days at home in zombie mode, zen silence. Rather than do an exhausting commute from Amsterdam to Rotterdam each day (by train or auto (50 miles / 75 kilometers each way), I ...

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Article: Live Review

Nutshell 2015

Read "Nutshell 2015" reviewed by Ian Patterson


Nutshell 2015 Bergen, Norway May 27-30, 2015 For a decade now, Nutshell has been an important engine in promoting Norwegian jazz talent abroad. This year, Nutshell's four-day program presented nine acts of quite diverse stripes to an audience of festival directors, radio programmers, booking agents and journalists from fifteen European countries.


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