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Jonas Cambien Trio: Nature Hath Painted The Body
by John Sharpe
On its third outing, Norwegian-based Belgian pianist Jonas Cambien's Trio again sticks to the successful gambits which distinguished A Zoology of the Future (Clean Feed, 2016) and We Must Mustn't We (Clean Feed, 2018), but with enough novel switcheroos to keep things fresh. Joining the leader once more is reedman Andre Roligheten (also a member of ...
Jonas Cambien Trio: We Must Mustn't We
by John Sharpe
Why change a winning formula? Norwegian-based Belgian pianist Jonas Cambien maintains his run of success with We Must Mustn't We, the follow-up to the excellent A Zoology of the Future (Clean Feed, 2016) by the same trio, comprising reedman André Roligheten and drummer Andreas Wildhagen. Cambien presents the same distinctive mixture of lurching rhythms, unusual saxophone ...
John Sharpe's Best Releases Of 2016
by John Sharpe
Here are ten new releases, reviewed at All About Jazz, which stood out among those I heard this year. Wadada Leo Smith America's National Parks (Cuneiform Records) While the title might conjure up a string of luminous tone poems, the reality of trumpeter Wadada Leo Smith's magisterial collection goes ...
Jonas Cambien Trio: A Zoology of the Future
by John Sharpe
For the debut of his new trio, Belgian-born, Oslo-based pianist Jonas Cambien joins with two rising stars of the Norwegian scene for a series of incisive cuts notable for their inventive arrangements and maverick rhythms. Drummer Andreas Wildhagen is part of Paal Nilssen-Love's Large Unit and may not be known to many, but on this showing ...
Jonas Cambien Trio: A Zoology of the Future
by Glenn Astarita
Belgian-born pianist Jonas Cambien currently resides in Oslo and is supported by first-rate regional musicians on his debut outing as a leader. No doubt, this trio possesses a distinct personality as the artists seemingly concoct a horde of magic potions on a per-track basis. Here, free-form maneuvers evolve into tangible themes amid quirky advancements and spunky, ...
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