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Kris Davis Trio, Propulsion and Porchbone

by Maurice Hogue
This week features the first trio recording by pianist Kris Davis in ten years--Run The Gauntlet. It's on her own label, Pyroclastic, and of course it's excellent. The potent avant-garde scene of Chicago emerges on Propulsion in the form of a new quartet led by saxophonist Dave Rempis, while the free jazz scene of NYC contributes ...
Nicole Mitchell, Lina Allemano, Laubrock / Rainey & Parker / Barket / Irabagon

by Maurice Hogue
After a few shows shortened in length, I had to go back to the old three-hour joint to get all of this terrific music happening. Highlights: the Chicago Afrofuturism of Nicole Mitchell meets the Malian kora legend Ballake Sissoko on Bamako Chicago Sound System; multi-instrumentalist William Parker, drummer Andrew Barker and saxophonist Jon Irabagon cook up ...
Patricia Brennan: Breaking Stretch

by Mike Jurkovic
Wild-willed vibraphonist Patricia Brennan gets straight down to business without any fanciful mission declaration with the Afro-Cuban, effusively powered, clear-the-dancefloor and blow-the-ceiling-off this joint Los Otros Yo (The Other Selves)," the opening cut of her third album Breaking Stretch. She does so in a captivatingly, wickedly good way. Brennan--who has added much vitality to ...
Tradition And Innovation

by Bob Osborne
The roots of jazz are firmly embedded in African culture. From that tradition, the music has expanded and been absorbed by other cultures and countries. From its birth in the USA, the music has grown to embrace the world and in doing so has developed in new and exciting ways. This show features all new innovative ...
Jon Irabagon: I Don't Hear Nothin' but the Blues Volume 3 Part 2: Exuberant Scars

by Mark Corroto
Besides being a wunderkind in jazz and improvised music, is Jon Irabagon also a kind of math aesthete? Specifically, does he sometimes dabble in chaos theory? Within the apparent randomness of complex improvised music of Exhuberant Scars, Irabagon finds underlying patterns, interconnections, feedback loops and musical self-organization If one is keeping score, Exhuberant Scars ...
Dan Weiss: Even Odds

by Mike Jurkovic
To say that It Is What It Is"--regarding drummer/composer Dan Weiss's feverish first track on the fervently episodic Even Odds--misses the whole point entirely. It could be anything. And within its spacious yet oddly claustrophobic three-and-a-half minutes, evolutions come and go in real time. And real time is a bitch if you cannot keep up.
Jon Irabagon: Free-Jazz Musician, Saxophonist, Composer, Band Leader And Producer

by Doug Hall
On this show, we chat with Jon Irabagon, Filipino-American born free-jazz saxophonist, soloist, composer, bandleader, educator and producer (as founder of Irabbagast Records). A graduate of both the Manhattan School of Music in New York City and Berklee College of Music in Boston, Irabagon has been composing and collaborating with both acclaimed experimental jazz guitarist Mary ...
Jon Irabagon's Outright!: Recharge the Blade

by Mark Corroto
As with nearly all of saxophonist Jon Irabagon's music, the matter for debate is whether the listener needs to be as caffeinated as the musician. His brand of performance, going back two decades, has been one of constant motion and a bottomless cup of ideas. We heard this in Irabagon's contribution to the band Mostly Other ...
About Michele Brangwen Dance & Music Ensemble
Instrument: Band / ensemble / orchestra
Results for pages tagged "Jon Irabagon"...
Michele Brangwen Dance & Music Ensemble

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The Michele Brangwen Dance & Music Ensemble is an interdisciplinary performing ensemble of contemporary dance and music. In 22 years, every performance has included live original music and the musicians as integral parts of the visual stage imagery. We believe that the artist’s role in society is to communicate, to challenge, to open a dialogue that can both unite us and inspire meaningful change. We function like a jazz band, and along with sections of choreographed movements and written music, we use improvisation that comes out of the form, concept, and emotional life of the work.