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Article: Extended Analysis

Damani Phillips: The Reckoning

by Victor Verney
December 26, 2012

Damani PhillipsThe ReckoningSelf Produced2012“Reckoning" is a complex word with many shades of meaning, an apt choice for reedman Damani Phillips' latest CD. As a noun, it signifies (among other things) an objective appraisal built with concrete facts. Used as a verb, the word denotes an educated guess based ...

Article: Live Review

All That Jazz Month: Phoenix, AZ, November 9-30, 2012

by Patricia Myers
December 24, 2012

All That Jazz MonthMusical Instrument MuseumPhoenix, AZNovember 9-30, 2012All That Jazz Month, in November 2012 at the Musical Instrument Museum (MIM), featured a star-studded concert series that included the saxophonist Branford Marsalis Quartet, vocalese masters Manhattan Transfer, DIVA Jazz Trio with saxophonist Grace Kelly, and a Django Reinhardt Tribute, all staged ...

Article: Year in Review

C. Michael Bailey's Best Releases of 2012

by C. Michael Bailey
December 20, 2012

Cat ConnerCat TalesOne of the greatest jazz performance challenges is playing and singing ballads slow...sometimes called “calendar slow." The trick is playing slowly without dragging or stalling. It is simple physics, the difference between velocity and momentum. Simple tempo may be understood in terms of speed (or velocity) but swing, swing has ...

Article: Album Review

John Proulx: The Best Thing for You

Read "The Best Thing for You" reviewed by C. Michael Bailey

by C. Michael Bailey
November 13, 2012

While female jazz vocalists outnumber male jazz vocalists five to one, it would be a fallacy to believe there is not a wealth of talent among the men singers. With Louis Armstrong and Chet Baker now memories, and Mark Murphy and Jon Hendricks in twilight, as Kurt Elling ascends their throne, there exists a vocal diaspora ...

Article: Catching Up With

Kurt Elling: Stories from New York

by R.J. DeLuke
October 17, 2012

Singer Kurt Elling seems to be always on the go, working with his fine quartet and lending his artful vocals to a variety of other projects as time allows. Whatever the situation, he brings high aesthetic values and standards. He likes to investigate different musical possibilities under the jazz umbrella, which he embraces without reservation.

Article: Interview

Georgia Mancio: ReVoice!

by Bruce Lindsay
September 11, 2012

When the road offers two possible paths, the decision to turn left or right can have major consequences. If Georgia Mancio had taken the left-hand path, then she might now be carving out a career in movie production. She took the other route, thanks to a part-time job and a box set of albums, to become ...

Article: Album Review

Milton Suggs: Lyrical, Volume 1

Read "Lyrical, Volume 1" reviewed by C. Michael Bailey

by C. Michael Bailey
August 31, 2012

Vocalist/composer Milton Suggs released Things To Come to certain positive acclaim. In an arid male jazz vocals landscape, Suggs recalls a simpler time ruled by the likes of Joe Williams and Johnny Hartman. His voice is deep and rich, with Betty Carter's pliability and Jon Hendricks' smokiness. On Lyrical, Volume 1 he fronts a larger-than-average band ...

Article: Catching Up With

Marion Cowings: Hey There

by Melanie Futorian
August 16, 2012

Marion Cowings, is often known as Dave Lambert's replacement in vocalese group Lambert, Hendricks & Ross, andhas graced many stages internationally and nationally, including the Lincoln Center, the Kennedy Center, the Blue Note, the Village Vanguard and a myriad more. He can be heard on recordings, radio and television broadcasts, is a winner of the Clio ...

Article: New York Beat

Stephanie Nakasian: The Renaissance Woman of Jazz

by Nick Catalano
August 11, 2012

For decades, Stephanie Nakasian has been swinging through an immensely challenging jazz repertoire with astonishing aplomb. Her audacious ventures into vocal territory that others have carefully avoided have resulted in recordings and performances of unrivaled excellence. From pioneering vocal efforts with singer Jon Hendricks and Annie Ross to the rigorous charts of The Danish Radio Big ...

Article: Catching Up With

Grant Stewart: The Sound of Hard Bop Today

by Marta Ramon
August 8, 2012

Grant Stewart is regarded as one of the most influential tenor sax players of the contemporary jazz scene. After nine formative years of intense learning and playing in his hometown of Toronto, the 19 year--old Stewart took his saxophone and bought a flight to New York. Once there, he did things his own way from day ...