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Louis Moholo-Moholo / Dudu Pukwana / Johnny Dyani / Frank Wright: Spiritual Knowledge And Grace
by Sid Smith
Accidents are part and parcel of any kind of improvised music. Such occurrences can be fickle things with a capacity to make or break a situation. So, when Chris McGregor was prevented from joining the first night of a Dutch tour by The Blue Notes in 1979, Louis Moholo-Moholo, Dudu Pukwana and Johnny Dyani embraced the ...
Mark Dresser Quintet Live at Dizzy's, San Diego
by Robert Bush
Mark Dresser QuintetDizzy'sSan Diego, CAOctober 10, 2010 Double bass virtuoso Mark Dresser is a player whose expertise in multiple genres defies categorization. His is the story of the student becoming the maestro. Growing up, he was inspired by rock guitarist Jimi Hendrix, and bassist/composer Charles Mingus, and he began his ...
Frode Gjerstad: A Feral Storm from Norway
by Clifford Allen
In February 2010, Norwegian alto saxophonist and clarinetist Frode Gjerstad took the collective Circulasione Totale Orchestra to the United States for a few select performances, the first time the multinational group had been convened on American soil and a massive undertaking and feat of organization for the 62-year-old improviser. The orchestra consists of musicians from Norway, ...
Omri Ziegele’s Where’s Africa Trio: Can Walk On Sand
by Nic Jones
This could almost be a band “on a hiding to nothing" considering it self-consciously mines the seam of vibrant music first tapped by the likes of Chris McGregor and Harry Miller. Given the fact that it's only a trio, it's inevitable perhaps that the group lacks the sheer sonic impact of McGregor's much larger bands, but ...
John Tchicai at Cafe Oto in London
by John Sharpe
John Tchicai / John Edwards / Tony Marsh Cafe Oto London August 24, 2009Having played with John Coltrane on his groundbreaking Ascension (Impulse, 1965), it was no surprise that Danish reedman John Tchicai attracted a large crowd on one of his infrequent London appearances at Dalston's Cafe Oto.
Command All Stars: Curiosities 1972
by Nic Jones
That infinite moment with which a lot of the music AAJ covers is preoccupied is amplified here, rife with a depth which far outstrips the casual manner in which the music came together. Afforded the relative luxury of three days of studio time in February 1972, some of that time's most creative individuals on the British ...
