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Wadada Leo Smith & TUMO: Occupy The World
by John Sharpe
Trumpeter Wadada Leo Smith continues to challenge preconceptions. With Occupy The World, he exposes another facet of his orchestral music; more expansive than his stunning Ten Freedom Summers (Cuneiform, 2012) and less earthy than Hearts Reflection (Cuneiform, 2011), it's still part of a long lineage of large group works stretching back to Budding Of A Rose ...
Joshua Abrams Quartet: Unknown Known
by John Sharpe
"There are known knowns; there are things we know that we know. There are known unknowns; that is to say, there are things that we now know we don't know. But there are also unknown unknowns--there are things we do not know we don't know." Strangely, Donald Rumsfeld didn't mention the unknown known: the things we ...
Anthony Braxton: Sax Quintet (New York) 1998
by John Sharpe
Saxophone agglomerations are not without precedent in reedman/composer Anthony Braxton's copious playbook. Indeed, his “Composition 37" for four saxophones on New York, Fall 1974 (Arista, 1975) could be said to have launched the genre, bringing together as it did three of the founder members of the pioneering World Saxophone Quartet two years before their eventual formation. ...
Evan Parker/Barry Guy/ Paul Lytton: Live At Maya Recordings Festival
by John Sharpe
After twenty one recordings there may not be too much more to say about the superlative English threesome of saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton. Some 30 years on since their debut Tracks (Incus, 1983), they converse in a language entirely of their own making, which relies on a staggering density of ...
Jon Irabagon/ Hernani Faustino/ Gabriel Ferrandini: Absolut Zero
by John Sharpe
If you are as extraordinarily talented as saxophonist Jon Irabagon, probably best known from his tenure in the gloriously irreverent Mostly Other People Do The Killing, then you might occasionally need to set yourself challenges. He's done it before, on Foxy (Hot Cup, 2010), where he undertakes a relentless examination of a theme from every conceivable ...
Vole: The Hillside Mechanisms
by John Sharpe
Three stalwarts of the London Improvisers Orchestra come together on the debut outing of the genre-mashing Vole. When playing credits number saxophone iconoclasts Peter Brotzmann, Evan Parker and Ingrid Laubrock, bassist Simon Fell and pianist Alexander Hawkins, then energy and imagination can be almost guaranteed. What's fascinating is how they align improv with noise, heavy metal ...
Satoko Fujii ma-do: Time Stands Still
by John Sharpe
When asked why she has lead or co-lead so many different projects (23 at last count), pianist Satoko Fujii replied “It's like food. I don't like just Japanese food, but also Italian food, French food and so on, and I would soon get tired if I just ate Japanese food." If her ma-do quartet were to ...
Sudo Quartet: Live at Banlieue Bleue
by John Sharpe
Such is the strength and conviction with which the Sudo Quartet performs that thoughts immediately turn to how they developed such a cohesive group sound. With no liners and no information on the web, the genesis of the unit remains a mystery, though the same foursome feature on four tracks on bassist Joelle Leandre's At the ...
Denis Fournier / Nicole Mitchell: Watershed
by John Sharpe
Flautist Nicole Mitchell has found a supportive outlet in the Paris-based Rogue Art imprint, with her past outings including Anaya (2009), Emerald Hills (2010), The Ethiopian Princess Meets The Tantric Priest (2012) and Arc Of O (2012), and she is the most well-known name on Watershed. However she sits second in the billing below French percussionist ...
William Hooker: Channels of Consciousness
by John Sharpe
On the face of it the title couldn't be more apt, as drummer William Hooker leads his four accomplices through an organically unfurling invention fashioned from their collective streams of consciousness. But a closer listen betrays signs of premeditation, not least in trumpeter Chris DiMeglio's wistful reiterated motif which reappears at regular junctures during the continuous ...
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