Home » Jazz Articles » Album Review » Mostly Other People Do the Killing: Red Hot

4

Mostly Other People Do the Killing: Red Hot

By

View read count
Mostly Other People Do the Killing: Red Hot
Having been simultaneously inspired by and ironic about '80s smooth jazz on the excellent Slippery Rock (Hot Cup Records, 2013), Mostly Other People Do the Killing delve back further into history to explore pre-War genres on Red Hot. It's a tall order for a foursome, so bassist and leader Moppa Elliott has added Brandon Seabrook on banjo, Ron Stabinsky on piano and David Taylor on bass trombone to fully exploit the possibilities inherent in post New Orleans modes. Though the new voices successfully fill out the ensembles and expand the instrumental palette, there is a downside: we don't get to hear quite so much of the stellar team of trumpeter Peter Evans and reedman Jon Irabagon.

One consequence of drawing upon such a distant age is that the stylistic juxtapositions between the modern and the source era become jarringly obvious, having the side effect of revealing Elliott's compositional gambits with startling clarity: the abrupt jump cuts, the irreverent exaggerations and the in your face contrasts. Cram in the period detail of a polyphonic front line, shout choruses, block chords, stop time figures and short solo breaks, and it's a madcap, even disorientating, experience. Even that's not the end of it, as if in thrall to some fevered logic, Elliott also gleefully inserts passages of klezmer, free improv, modal vamp and Latin groove into the mix.

That theme of colliding textures bleeds into the longer solos which announce many numbers. Drummer Kevin Shea undertakes a wide ranging survey of percussion styles to launch "Zelienople," maintaining his riotous approach in opposition to the ensuing steady group tempo, while in a tour de force introduction to "King Of Prussia" Stabinsky essays a statement that consists almost entirely of fragmentary quotes from a dizzying selection of tunes. Neither is as extreme as Seabrook's feature beginning the title cut (incidentally a mash up of at least five different songs by the Red Hot Chilli Peppers) which alternates sine wave electronics with acoustic banjo fills. Most rewarding musically is the bassist's lead in to "Turkey Foot Corner" apparently following instruction to make something from a restricted menu comprising just double stops, glissandi and wide intervallic leaps.

It takes consummate skill to be able to navigate such choppy waters so seamlessly and this crew have it in abundance. But while undoubtedly smart, the carefully plotted anarchy takes some getting used to, and may even deter some listeners. That would be a shame, as once past the intentionally jolting polarities, we are ultimately left with a typically irreverent, occasionally infuriating, but always staggeringly inventive homage to the jazz canon.

Track Listing

The Shickshinny Shimmy; Zelienople; Red Hot; King Of Prussia; Turkey Foot Corner; Seabrook, Power, Plank; Orange Is The Name Of The Town; Gum Stump; Bird-In-Hand.

Personnel

Mostly Other People Do the Killing
band / ensemble / orchestra

Peter Evans: trumpet; Jon Irabagon: soprano and C melody saxophone; David Taylor: bass trombone; Brandon Seabrook: banjo and electronics; Ron Stabinsky: piano; Moppa Elliott: bass; Kevin Shea: drums and percussion.

Album information

Title: Red Hot | Year Released: 2013 | Record Label: Hot Cup Records

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

Near

More

Eternal Moments
Yoko Yates
From "The Hellhole"
Marshall Crenshaw
Tramonto
John Taylor

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.