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Ron Stabinsky

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Article: Live Review

Moers Festival 2021

Read "Moers Festival 2021" reviewed by Martin Longley


Moers Festival Eventhalle/Rodelberg Moers, Germany May 21-24 2021 Just a few days before the start of this 50th anniversary festival, the local governmental authorities suddenly switched their virus regulations, allowing a crowd of 500 to attend each evening's outdoor park gig on the Rodelberg stage. During the daytimes, ...

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Article: Festivals Talking

Moers Festival Interviews: Matt Mottel & Kevin Shea

Read "Moers Festival Interviews: Matt Mottel & Kevin Shea" reviewed by Martin Longley


Improviser In Residence becomes Improvisers In Residence, for the 50th anniversary of the Moers Festival in Germany. Running since 2008, this has been a year-long in-house situation for invited artists, and usually offered to a single being. In 2021, we have the innovation of a twosome, in Matt Mottel (keyboards) and Kevin Shea (drums), who also ...

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Article: Live From Philadelphia

Mostly Other People Do the Killing, Sirius Juju and Unspeakable Garbage at Jerry's on Front

Read "Mostly Other People Do the Killing, Sirius Juju and Unspeakable Garbage at Jerry's on Front" reviewed by Geno Thackara


Mostly Other People Do the Killing/Sirius Juju/Unspeakable GarbageJerry's on Frontjny: Philadelphia, PAFebruary 16, 2019 Twenty blocks and a world away from the clubs and bars of Philadelphia's city center, the experimental art space of Jerry's on Front is a room one would hardly imagine for music at all. It's a nondescript ...

Article: Album Review

Mostly Other People Do The Killing: Paint

Read "Paint" reviewed by Enrico Bettinello


Un po' come succede alle stelle quando “esauriscono il combustibile," quando si espandono e poi si contraggono diventando una caldissima “nana bianca," nel corso dell'ultimo anno i Mostly Other People Do The Killing si sono espansi fino a settetto per poi restringersi all'archetipica forma jazz del trio con pianoforte. Ma sarà davvero anche qui ...

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Article: Album Review

Mostly Other People Do The Killing: Paint

Read "Paint" reviewed by Jerome Wilson


Mostly Other People Do The Killing have released their second CD of 2017 and, in keeping with the group's unpredictability, it's a bit of a curve ball. Whereas on previous releases they've ranged in size from a quartet to a septet, this time they've cut themselves down to a simple piano trio. Other than that, it's ...

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Article: Album Review

Mostly Other People Do the Killing: Paint

Read "Paint" reviewed by Karl Ackermann


No sooner had Mostly Other People Do the Killing expanded to a septet with Loafer's Hollow (Hot Cup Records, 2017) than they shrink to their smallest formation to date with the trio release Paint. Founding member, bassist, and composer Moppa Elliott is joined by pianist Ron Stabinsky and drummer Kevin Shea. Trumpeter Peter Evans had departed ...

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Article: Album Review

Mostly Other People Do the Killing: Loafer's Hollow

Read "Loafer's Hollow" reviewed by Luca Canini


Se pensavate che dopo dodici anni e undici dischi nel barile non fosse rimasto più niente da raschiare, se li avevate un po' trascurati di recente perché il gioco è bello fin che dura poco, se vi eravate fatti l'idea che una volta risuonato Kind of Blue nota per nota, in una delle operazioni più assurdamente ...

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Article: Album Review

Mostly Other People Do the Killing: Loafer's Hollow

Read "Loafer's Hollow" reviewed by Mark Sullivan


The expanded, septet version of Mostly Other People Do The Killing takes on more pre-bebop era jazz. The previous septet outing Red Hot (Hot Cup, 2013) had focused on jazz and blues recordings of the 1920s -30s; this one adds the music of the swing era to the mix. One of the defining changes in the ...

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Article: Album Review

Mostly Other People Do the Killing: Loafer's Hollow

Read "Loafer's Hollow" reviewed by Karl Ackermann


Blowing up Mostly Other People Do the Killing from its core quartet to a septet may seem like an invitation to dance on the musical third rail. The group that has always straddled the broad and fuzzy line between tradition and chaotic improvisation, has nevertheless managed that process with a mixture of sophistication, revelation and unbridled ...


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