Results for "Jon Irabagon"

Jon Irabagon

Jon Irabagon, winner of the 2008 Thelonious Monk International Saxophone Competition, has performed extensively as both a sideman and as a leader in an ever-expanding range of projects, from the most straight ahead to the most searching. Jon has studied under such divergent artists as Dave Liebman, Wynton Marsalis, Dick Oatts, Jason Moran and Victor Goines, and has performed and/or recorded with musical luminaries such as Billy Joel, Wynton Marsalis, Bright Eyes, Tom Harrell, Tommy Iago, Joe Lovano, Dave Liebman, Deborah Gibson, John Abercrombie, Frank Wess, Wycliffe Gordon, Renee Fleming, Kenny Washington, Lou Reed, Jenny Lewis, Ron Sexsmith, and Ken Vandermark

Andrew Bain: On Playing With(out) Boundaries

By FRIEDRICH KUNZMANN

Scottish drummer and educator Andrew Bain has performed in a wide variety of projects, from playing with Dave Liebman during his years with the Guildhall School of Music Jazz Orchestra, or collaborating with the late Kenny Wheeler to having taken part in joint efforts with the likes of late pianist John Taylor and other modern British ...

Norvald Dahl with Colin Stranahan: The Vision

By TROY DOSTERT

Norwegian newcomer Norvald Dahl has cultivated his expansive approach to jazz piano since his 2018 debut, Organic Chamber (AMP Music), a trio outing which included saxophonist Jon Irabagon and bassist Mats Eilertsen. That free-spirited release revealed a deeply iconoclastic spirit in Dahl, someone who is as comfortable teasing the contours of a pop-inflected tune as he ...

Take Five with Bartosz Hadala

By BARTOSZ HADALA

Meet Bartosz Hadala Bartosz Hadala was born in Stalowa Wola, Poland and started his musical education at the age 7 at the local School of Music. Still as a teenager he participated in competitions, workshops and festivals. He became the youngest finalist in the Mieczyslaw Kosz International Jazz Piano Competition at the age 15. Two years ...

Pat Metheny: From This Place

By JOHN KELMAN

It's been a full six years since Pat Metheny last released a studio recording. This, despite the guitarist who has become, in a career now in the midst of its fifth decade, one of the most famous and influential jazz guitarists of his (or, some would argue, any) generation, reportedly having enough material in the can ...

John Yao's Triceratops: How We Do

By ALBERTO BAZZURRO

Il quarantatreenne trombonista newyorchese di chiare origini orientali John Yao dirige in questo album un quintetto solido il cui punto di forza, oltre al leader, è costituito dalla coppia di sax, anche se tutti e cinque i musicisti impegnati fanno per intero la loro parte. Vi si respira un clima post-bop molto ben costruito e tornito, ...

Playing Catch Up With 2019

By JEROME WILSON

There always seems to be a constant flow of worthwhile new music coming out, so much that it is to be impossible to cover it all within its calendar year. Here are seven notable releases from the last few months of 2019. Gebhard Ullmann mikroPULS Intuition 2019 The ...

Invisible Horizon

By JON IRABAGON

Label: Irabbagast Records
Released: 2019
Track listing: CD1 Invisible Guests: Vignette For Mouthpieceless Sopranino Saxophone And String Quartet; Invisible Guests: West Wing; Heaven’s Blessing; Benevolence, Sincerity, And Devoutness; Red Four; The Dreamer; Catching The Fish At The Bottom Of The River; Vignette For Sopranino Saxophone And String Quartet; CD2 Dark Horizon: Live From The Mausoleum: Dark Horizon (entrance); Dragonwort; Forest & Field; Holy Smoke; Good Old Days (Theme From The Little Rascals); Eternal Rest; Half A World Away; Dark Horizon (exit bow).

Mark Corroto's Best Releases of 2019

By MARK CORROTO

2019, that was some trip around the sun, wasn't it? Every road trip requires good tunes and this past year we heard some great music. The list below is my top ten, well sixteen releases (in no particular order). I pared down a much larger list, three times this size and still believe there was more ...

Flin van Hemmen: Casting Spells & The Coves

By MARK CORROTO

If you live in the US you might have seen a television commercial for a mortgage company that utilizes Bob Dylan's composition “The Man In Me." Did the advertising firm choose this song because music gives us a sense of a shared experience? Certainly. Was the experience from the original Dylan recording New Morning (Columbia, 1977), ...