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Charu Suri: The Jazz Raga
by Karl Ackermann
The Roots of Indo-JazzJazz and Indian ragas share common ground in their traditional use of improvisation. They are often talked about in compatible terms, but Ravi Shankar, for one, did not believe that ragas could be compared to jazz improvisation. Spontaneous creation in jazz differs from the complex rhythmic structural patterns of Indian improvisation. Shankar became ...
Joe Harriott Quintet: Free Form & Abstract Revisited
by Chris May
A tiny island, Jamaica has punched far above its weight musically. Dub and reggae are the primary manifestations, but the island has also produced a disproportionately large number of notable jazz musicians, many of whom left during the late 1940s and 1950s to relocate to Britain, Jamaica's so-called mother country during the colonial era. Alto saxophonist ...
Zane Carney: Alter Ego
by Mario Calvitti
Il mondo della chitarra jazz è in continua ebollizione, e nuovi nomi emergono quasi quotidianamente nel web alla ricerca di quel po' di notorietà che permetta loro di trovare uno spazio personale su un palcoscenico già estremamente affollato. Al di là delle facili esaltazioni e dell'hype che rappresentano materiale comune in rete, ogni tanto ci si ...
Zane Carney Quartet: Alter Ego
by Friedrich Kunzmann
While guitarist Zane Carney's work as a leader may have yet to experience the hype it arguably deserves, his session work is another thing. Among other projects, he has played on Thundercat's Drunk (Brainfeeder, 2012) as well as John Mayer's folk album Paradise Valley (Columbia, 2013), the Grammy award-winning Thundercat calling him “a massive guitarist." And, ...
Bob Reynolds: Running The Changes
by Leo Sidran
This year musicians and creative people have had to confront themselves, their work, and their ambitions head on, and Bob Reynolds is no exception. But unlike so many of us, Bob already had some mechanisms in place to process that struggle in a creative way. Bob is a Grammy Award-winning saxophonist, composer, and educator known for ...
Pino Palladino: The Craftsman from Wales
by Ludovico Granvassu
Refined craftsmanship is in small supply in today's music business, especially in the music business that fills sports arena or large music venues. Pino Palladino belongs to the small guild of refined craftsmen whose membership is reserved to musicians who do not seek the spotlight but pursue beauty through art, because that is what they were ...
Pino Palladino and Blake Mills: Notes with Attachments
by Chris May
Do not be put off by the cover. It might suggest inaccessible, up itself, bone-dry cerebralism, but the reality is contrariwise. Around a third of the music is vaguely reminiscent, in spirit if not in execution, of the 1949-1950 Birth Of The Cool sessions conducted by Miles Davis with arrangers Gil Evans, John Lewis, Gerry Mulligan ...
Pino Palladino: Eclettismo al Servizio della Musica
by Serena Antinucci
Capita raramente di ascoltare un disco che sprigiona endorfine così benefiche, che ci concede la possibilità di separarci momentaneamente dalla realtà, spingendoci fino al nucleo generativo della musica stessa. Proprio lì dove la composizione prende forma in uno spazio neutro, senza confini, entriamo nel sistema musicale di Notes With Attachments del bassista Pino Palladino e del ...
Pino Palladino, Blake Mills: Notes with Attachments
by Emmanuel Di Tommaso
Pino Palladino e Blake Mills firmano uno dei dischi più attesi dell'anno. Il polistrumentista e produttore californiano viene da un 2020 molto intenso, caratterizzato dall'uscita del suo album solista Mutable Set e da una serie di preziose collaborazioni con artisti del calibro di Bob Dylan e di Perfume Genius, che hanno realizzato due dei migliori dischi ...
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
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