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Musician

Bill Gati

Born:

William Gati Bom April 1O, 1959, in Rio Di Janeiro, Brazil Initially trained as a classical pianist (he studied at Juilliard from the age of 8), William Gati has been drawn to Jazz while studying with the great John Lewis (Modern Jazz Quartet). After graduating from City College (1981), he has played in various church venues and has been influenced by gospel music. He has also been involved in directing and performing in musicals and has been influences by the Broadway Show style. His greatest strength, however, is in improvising and performing jazz standards and original compositions. He has been influenced by Sir Roland Hanna (a good friend and Professor at Queens College), John Lewis (another friend), Herbie Hancock, Dr

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Article: Album Review

Pino Palladino and Blake Mills: Notes with Attachments

Read "Notes with Attachments" reviewed by Chris May


Do not be put off by the cover. It might suggest inaccessible, up itself, bone-dry cerebralism, but the reality is contrariwise. Around a third of the music is vaguely reminiscent, in spirit if not in execution, of the 1949-1950 Birth Of The Cool sessions conducted by Miles Davis with arrangers Gil Evans, John Lewis, Gerry Mulligan ...

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Article: Album Review

Henry Robinett Quartet: Jazz Standards Volume 2: Then Again

Read "Jazz Standards Volume 2: Then Again" reviewed by Pierre Giroux


Guitarist Henry Robinett is a patient man. In April 2000, when he was between gigs and bands, he brought together several top players from Northern California and, in two days, recorded two albums the first of which was called Jazz Standards, Volume 1: Then (Nefertiti 2019) . Now with the release of ...

81

Article: Building a Jazz Library

Guitar Gods & Goddesses: An Alternative Top Ten Albums

Read "Guitar Gods & Goddesses: An Alternative Top Ten Albums" reviewed by Chris May


Although it has been present in jazz since the 1920s, when it was routinely used in rhythm sections, as a solo instrument the guitar struggled to make itself heard--literally--until the second half of the 1930s, when reliable pick-ups and portable amplifiers became available. Foremost among the pioneers of the electrified instrument was Charlie Christian, a member ...

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Article: Multiple Reviews

Archival Finds: Dave Brubeck, Bill Evans and Chet Baker

Read "Archival Finds: Dave Brubeck, Bill Evans and Chet Baker" reviewed by Jerome Wilson


Here are three releases of newly discovered material by iconic jazz musicians from the '50s and '60s. Two fall in line with the leaders' established legacies while the third presents its subject in surprising company. The Dave Brubeck Quartet Time OutTakes Brubeck Editions 2020 This CD consists ...

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Article: Year in Review

2020: The Year in Jazz

Read "2020: The Year in Jazz" reviewed by Ken Franckling


The COVID-19 pandemic put the jazz world in a tailspin, just like the world at large, in 2020. And there is plenty of uncertainty going into the new year about what “new normal: might emerge from the darkness. International Jazz Day, like so many other things, became an online virtual event this time around. Pianist Keith ...

Album

Birth Of Bebop - Celebrating Bird At 100

Label: Ezz-thetics
Released: 2020
Track listing: Savoy Sessions:- Billie's Bounce; Thriving From A Riff; Koko; Meandering; Donna Lee; Cheryl; Buzzy; Another Hair Do; Bluebird; Klaunstance; BirdGets The Worm; Barbados; Constellation; Parker’s Mood; Parker’s Mood (AT-2); Marmaduke; Steeplechase; Merry Go Round; A Night In Tunisia; Dizzy Atmosphere; Groovin’ High; Confirmation; Koko; Dial Sessions:- Moose The Mooche; Yardbird Suite; Ornithology; A Night In Tunisia; Bird’s Nest; Cool Blues; Relaxin’ At Camarillo; Dexterity; Bongo Bop; Dewey Square; The Hymn; Bird Of Paradise; Embraceable You; Bird Feathers; Klact-oveeseds-tene; Scrapple From The Apple; My Old Flame; Out Of Nowhere; Don’t Blame Me; Drifting On A Reed; Quasimodo; Charlie’s Wig; Bongo Beep; Crazeology.

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Article: Radio & Podcasts

Little Big Bands

Read "Little Big Bands" reviewed by Russell Perry


Between the standard small jazz ensembles of quartets, quintets and sextets and the powerhouse big bands is a world of ensembles with eight, nine, ten or eleven players. Famously, The 1949 Birth of the Cool sessions were from a nonet assembled by Miles Davis, with arrangements by Gerry Mulligan, Gil Evans and John Lewis. Bands of ...

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Article: Album Review

The George Coleman Quintet: In Baltimore

Read "In Baltimore" reviewed by Pierre Giroux


Tenor saxophonist George Coleman is an artist who plays with both proficiency and comprehension, but has been under-recognized as a major figure in post-bop jazz. In this Reel To Real 180 gram LP release, co-produced by Cory Weeds and Zev Feldman, Coleman and his cohorts trumpeter Danny Moore, pianist Albert Dailey, bassist Larry Ridley and drummer ...

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Article: Album Review

Mike Melito/Dino Losito Quartet: You're It!

Read "You're It!" reviewed by Jack Bowers


The album cover says “Mike Melito / Dino Losito Quartet." What it does not say is that drummer Melito and pianist Losito have at their beck-and-call an awesome secret weapon, Philadelphia-based tenor saxophonist Larry McKenna, a phenom from the Lester Young school of elegant swinging whose voice on the horn is as debonair and persuasive as ...


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