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Pianist Abdullah Ibrahim Interviewed at All About Jazz
For legendary pianist/composer Abdullah Ibrahim, music is always in a state of evolution. This philosophy is common to nearly all great composers, from [pianist] Duke Ellington to [trumpeter] Miles Davis and from [saxophonist] John Coltrane and [pianist] Ahmad Jamal to [guitarist] Bill Frisell. A piece of music is born, it grows and gradually matures but it ...
Ex-e.s.t. Drummer Magnus Ostrom Interviewed at All About Jazz...And More!
As the drummer with the Esbjörn Svensson Trio (e.s.t.) Magnus Öström became one of the most successful European jazz musicians of the last twenty years. Influenced by a range of musics, his percussion style was a key element of the band's distinctive sound, while the Trio's success over the 15 years of its existence brought it ...
Vibraphonist Jim Hart Interviewed at All About Jazz
Jim Hart is one of the hottest young musicians on the U.K. jazz scene. His impressive skills are matched by a level of experience and maturity that belie his age. His musicianship elicited this praise from vibes heavyweight Joe Locke: “Some of the best music I've heard in a long time. Definitely the best vibes playing ...
Trio Mediaeval: A Worcester Ladymass
by John Kelman
Aside from the detour of Folk Songs (ECM, 2007)--which looked to the traditional music of its own country, Norway--Trio Mediaeval has focused primarily on sacred music, dating as far back as the 12th century but, equally, as contemporary as the current millennium, using mass material from England, France, Italy...even modern-day Korea. Trio Mediaeval performs medieval music ...
Van der Graaf Generator: A Grounding in Numbers
by John Kelman
When, in 2005, Van Der Graaf Generator released its first album in over 25 years, the reunited group proved it was not only possible to go back, but that it could be done without sacrificing forward-thinking modernity. Inconsistent, perhaps, but Present (Charisma/Virgin) demonstrated, with “Every Bloody Emperor," a group still capable of soaring majesty and nightmare-inducing ...
Kenny Wheeler: One of Many
by John Kelman
In a 2001 Norma Winstone interview, the British vocalist referred to Kenny Wheeler as “the Duke Ellington of our time." Wheeler, whose reputation has grown almost in spite of his own quiet humility, may not possess Ellington's populist cachet, but that doesn't mean the trumpeter's music is any less distinctive or groundbreaking, and with no small ...
Motif: Facienda
by John Kelman
Motif Facienda Jazzland Records 2010 Just because there's nearly a three-year gap between recordings, it doesn't mean an artist hasn't been busy. Norwegian free bop-meister Motif was last heard from in 2008, on the tradition-twisting Apo Calypso (Jazzland), closing yet another gap from the previous Expansion (AIM, 2005). Released in ...
Ultralyd: Inertiadrome
by John Kelman
It's been nearly four years since Ultralyd released its 2007 Rune Grammofon debut, Conditions for a Piece of Music, and a lot's happened since that time. The members of this electrified quartet continue to weave their way through the fabric of the cutting-edge Norwegian improvising scene, ranging from the Coltrane-inspired, early Garbarek-tinged modal freedom of The ...
Cellist Matt Haimovitz Interviewed at All About Jazz
It's a fairly audacious idea for a cello octet to interpret the music of jazz icons such as bassist Charles Mingus, trumpeter Miles Davis and saxophonist Ornette Coleman, never mind the Mahavishnu Orchestra, but clearly, as seen on the compelling Meeting of the Spirits, cellist Matt Haimovitz loves a challenge. After two dozen albums, Haimovitz, in ...
Scorch Trio: Melaza
by John Kelman
Human nature may tend towards resisting change, but shaking up a group--even one with a longstanding and successful lineup--can sometimes drive the music in subtly different directions. Losing Norwegian drummer Paal Nilssen-Love may have seemed like a blow change for Scorch Trio, but recruiting Frank Rosaly--who moves around in the same circles as Nilssen-Love, playing with ...
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