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Dave Liebman: What It Is - The Life of a Jazz Artist
by John Kelman
What It Is: The Life of a Jazz Artist Dave Liebman In Conversation with Lewis Porter 386 Pages ISBN: 978-0810882034 Scarecrow Press 2012 In life, there's them that are aware and them's that ain't. Them's that are aware are not necessarily better than them's that ain't; but in being ...
Louis Sclavis Atlas Trio: Sources
by John Kelman
It's not uncommon for artists to shake things up by changing personnel to explore roads previously untraveled, but few push themselves so relentlessly into new territory through revamped instrumentation as Louis Sclavis. Still, since coming to ECM with the auspicious Rouge (1992), the French clarinetist/saxophonist has always maintained continuity between recordings--cellist Vincent Courtois carried over from ...
Wayne Krantz: Inspired Transition
by Ian Patterson
It's taken guitarist Wayne Krantz the guts of twenty years to pen a CD of songs with lyrics and sing them. Howie 61 (Abstract Logix, 2012) is a departure from the music he has recorded previously, though Krantz, Carlock, Lefebvre (Abstract Logix, 2009) hinted at this new direction. There's less guitar work than might be expected ...
Arild Andersen: Celebration
by John Kelman
Arild Andersen Celebration ECM Records 2012 With all the activities surrounding the 40th anniversary of ECM Records in 2009--from a three-day festival-within-a-festival at that year's Enjoy Jazz Festival in Mannheim, Germany, and the budget-priced Touchstone Series reissue of forty essential ECM titles, to the publication of an all-German book of commissioned ...
Sha's Feckel: Greatest Hits
by John Kelman
With Stoa (ECM, 2006), the world at large was introduced to Nik Bärtsch and his hypnotic, booty-shaking Zen Funk. But the Swiss pianist's rapid ascendance, thanks to the international reach and reputation of ECM Records, was only the tip of the iceberg. Not only had Bärtsch released six previous albums since 2001, on his own Ronin ...
John Surman: Saltash Bells
by John Kelman
There's no denying the the sound of surprise" of group recordings; working solo, however, provides its own possibilities, despite meaning different things to different people. Pianist Keith Jarrett views it as a means for pulling form from the ether: one man, one piano, in real time. Multi-instrumentalist Stephan Micus, on the other hand, considers it a ...
The Mothership Returns
by John Kelman
When keyboardist Chick Corea announced--following a successful world tour of his reunited 1970s-era fusion juggernaut Return to Forever, which, featuring guitarist Al Di Meola, bassist Stanley Clarke and drummer Lenny White, included a high octane 2008 performance that was one of the best-attended in the Ottawa International Jazz Festival's three-decade history--that he'd be reuniting the earlier ...
Marzio Scholten: Voids, Echoes and Whispers
by John Kelman
For his third release, Marzio Scholten capitalizes on the unexpectedly impressive sophomore effort, World of Thought (OAP, 2010)--a sleeper hit from a then-up and coming guitarist who continues on an upward trajectory--by focusing on chemistry and consistency. Only drummer Bob Roos is gone, replaced by Mark Schilders, while World of Thought guest saxophonist Yaniv Nachum is ...
Niels Lyhne Lokkegaard: Vesper
by John Kelman
While people debate the recent re-emergence of vinyl as not just a viable hard media for music, but a better one sonically, few can argue the beauty of experiencing cover art, expanded from the 5"x5" limitation of a CD cover, to the glorious, now almost larger than life beauty of a 12"x12" long-player sleeve. If cover ...
John Geggie / Lorne Lofsky / Joe Sullivan / Jim Doxas: Ottawa, Canada, May 26, 2012
by John Kelman
John Geggie / Lorne Lofsky / Joe Sullivan / Jim DoxasGeggie Concert SeriesNAC Fourth Stage, Ottawa, CanadaMay 26, 2012For his final show of the 2011/2012 Geggie Concert Series, Ottawa bassist John Geggie put together a group of Canadian musicians who are all deserving of broader international recognition. A down-the-middle mainstream jazz ...


