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Arild Andersen / Paolo Vinaccia / Tommy Smith: Mira

by John Kelman
The debut of Arild Andersen's now longstanding trio with Scottish saxophonist Tommy Smith and Italian expat drummer Paolo Vinaccia on Live at Belleville (ECM, 2008) came as no small surprise, even to those familiar with the Norwegian bassist's work on the label--dating right back to its inception on Jan Garbarek's classic Afric Pepperbird (ECM, 1971), as ...
George Colligan: The Endless Mysteries

by John Kelman
While music fans often think of the artists they love as gifted people whose lives are consumed by the pursuit of their art, all-too-often they ignore equally important, if seemingly more mundane, needs: making a living, perhaps having a family...things to which most people aspire. With music sales on the decline, most musicians pay the rent ...
Paul Simon: The Complete Albums Collection

by John Kelman
If the history books were to be closed on singer/songwriter Paul Simon's career today, he'd have already left a legacy more than sufficient to ensure a substantial chapter. While other emergent songwriters of his day--Leonard Cohen, Bob Dylan and Randy Newman amongst them--have clearly evolved over the years, there's been an underlying approach that's remained consistent ...
Gary Husband & Alex Machacek: Now

by John Kelman
Over the course of the past decade or so, Abstract Logix has gone from being a web-based shop front for all things fusion--and that's fusion in the true sense of the word, by the way; not just the high octane, often pyrotechnic genre it's narrowed down to over the decades--into a record label with a small ...
Yeahwon Shin: Lua Ya

by John Kelman
Korean-born now New York-resident singer Yeahwon Shin leaves the largely Brazilian-informed repertoire of her 2010 ArtistShare debut, Yeahwon, behind for a most worthy return to her roots with Lua Ya, her ECM debut that, released late in the summer of 2013, is still worthy of a look as the new year begins. Featuring, on a few ...
Roberto Bonati Trio: Bianco il vestito nel buio

by John Kelman
Spending considerable time as Artistic Director of Italy's creative ParmaFrontiere-- occurring in Parma each fall, a festival small in size but broad in scope--Roberto Bonati spends the rest of his time as a double bassist who, amongst other things, is one of GIanluigi Trovesi's top-calls, last heard with the Italian saxophonist/clarinetist's Ottetto on Fugace (ECM, 2003). ...
Steven Wilson: Remixing Yes, Jethro Tull & XTC

by John Kelman
While 2013 has largely been occupied by a world tour in support of his recent The Raven That Refused to Sing (And Other Stories) (Kscope, 2013), Steven Wilson has, as he said he would in his 2012 All About Jazz interview, certainly kept up with the run of stereo and surround sound remix projects that have ...
SFJAZZ Collective: Live SFJAZZ Center 2013 - The Music of Chick Corea & New Compositions

by John Kelman
Some things change, some things stay the same. After two successive recordings and tours with an identical lineup--a first in its now 10-year history--the SFJAZZ Collective once again undergoes some minor personnel shifts. More important, however, is that Live SFJAZZ Center 2013: The Music of Chick Corea & New Compositions comes a full two years after ...
Susanna and Ensemble neoN: The Forester

by John Kelman
It's strange how a single event can change--or, at least, appear to change--an artist's direction, transporting it to a place previously seeming unreachable or, at the very least, unexpected. Prior to the surprise of 2012's sublime If Grief Could Wait (ECM), Norwegian singer Susanna Karolina Wallumrød was largely splitting her time. On one hand, there were ...
Steven Wilson: Drive Home

by John Kelman
Steven Wilson Drive Home Kscope 2013 It's been a busy couple of years for Steven Wilson. The British singer, multi- instrumentalist and songwriter has continued his work as the go-to guy for surround sound and stereo remixes on recent outings including XTC's Nonesuch (1992; reissued Panegyric, 2013), Yes' Close to the ...