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The Mahavishnu Project: Return to the Emerald Beyond
by John Kelman
One inherent risk of any tribute band is excessively literal treatment of the material. Since forming the Mahavishnu Project to honor guitarist John McLaughlin and the Mahavishnu Orchestra, drummer Gregg Bendian has avoided every possible such pitfall. Bendian views this '70s fusion group's relatively small body of work as repertory alongside music by artists like Miles, ...
Oregon: Out of the Woods / Roots in the Sky
by John Kelman
It's dangerous to ascribe new musical paradigms to one artist or group. There's no denying, however, that Oregon was one of the first groups to explore the nexus of jazz, classical and folk musics with ideas endemic to the music of India, Brazil and other cultures abroad. Although Oregon's entire discography has been available on CD ...
King Crimson: The Collectable King Crimson Volume One
by John Kelman
In 1973-74, King Crimson was not just a powerful progressive rock group capable of navigating guitarist Robert Fripp's most challenging writing to date. It was also a potent improvising unit, able to shift on a dime from elegant simplicity to visceral crunch. The expansive The Great Deceiver (Live 1973-1974) demonstrated how exciting this group was. The ...
Soft Mountain: Soft Mountain
by John Kelman
As the late saxophonist Elton Dean's final recordings are released, his remarkable ability to fit into any context becomes clearer than ever. From total spontaneity to groove-centrism, from rock-edged improv to detailed form, Dean consistently brought his own freewheeling yet never self-indulgent voice to each and every context. A year after he unexpectedly passed at the ...
Stefano Bollani: Piano Solo
by John Kelman
Still in his mid-thirties, Italian pianist Stefano Bollani has created a surprisingly large discography in the past decade. Piano Solo is the first under his own name for ECM, though he's by no means a new face on the label. He's worked with Enrico Rava since the mid-'90s, and can be heard on the trumpeter's Easy ...
Matching Mole: On the Radio
by John Kelman
Matching Mole may have lasted just under a year when it surfaced 35 years ago, but public interest in drummer/vocalist Robert Wyatt's first post-Soft Machine project continues to be strong. On the Radio isn't the first archival live release, and nearly three-quarters of the material was previously available, but only for a short time. This remastered ...
Scott Colley: Architect of the Silent Moment
by John Kelman
If an artist is the sum total of his experiences, then Scott Colley's reach is nearly limitless. In twenty years the bassist has appeared on nearly 150 albums, ranging from mainstream work with Jim Hall and Carmen McRae to more left-of-center projects with Andrew Hill and Greg Osby. His own releases have been migrating towards a ...
Enrico Rava Quintet: The Words and the Days
by John Kelman
For some, jazz is an either/or: either it's deeply and clearly rooted in the American tradition, or it isn't jazz. What's not necessarily apparent with musicians seemingly distanced from that tradition is that it's an artistic choice that shouldn't be viewed as a lack of familiarity with the music's roots. Italian trumpeter Enrico Rava has spent ...
Dave Liebman: Back on the Corner
by John Kelman
It's only been in the past decade that the electric music of the late Miles Davis has been re-explored, attaining more widespread credibility and acceptance. It's turning out to be a matter of catching up with an icon that, through the many phases of his career, was often ahead of his time. Like so many others, ...
Nguyen Le: Miracles & Zanzibar
by John Kelman
It's all too rare that an artist appears, seemingly out of nowhere, fully matured and with a distinctively personal musical conception. While guitarist Nguyên Lê--Parisian born of Vietnamese parents--might argue that his true voice didn't emerge until he released the seminal Tales From Vietnam (ACT, 1996), the recent remastered reissue of his first two albums as ...


