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Punkt Festival 2009: Day 1, Kristiansand, Norway, September 2, 2009
by John Kelman
Day 1 | Day 2 | Day 3 | Day 4 ---> Every festival has its raison d'être, but the Kristiansand festival, in Norway, has many. It's primary definer is its “Live Remix" concept--where performances in Agder Theatre's main hall are immediately followed by live remixes of the performance just passed, with additional musicians interacting, ...
Patrick Moraz / Bill Bruford: In Tokyo
by John Kelman
Known as the art rock drummer who ultimately found his way to jazz, Bill Bruford doesn't appear to be letting up. It's been a busy year: the supposedly retired drummer published his thoroughly engaging Bill Bruford: The Autobiography (Jawbone, 2009) and participated in a whack of interviews; he's released what he claims will be his final ...
Susanna and the Magical Orchestra: 3
by John Kelman
The ability of musicians on the Norwegian scene to live in a multitude of musical spaces was made clear at Molde Jazz 2009, where trumpeter Arve Henriksen performed in a variety of settings, ranging from the sublime beauty of his Cartography group to more aggressive noise improv with Supersilent. The two members of Susanna and the ...
Pianocircus featuring Bill Bruford: Skin and Wire
by John Kelman
For his final release of “new" music, percussionist Bill Bruford collaborates with Pianocircus—an all-keyboard ensemble best-known for its unique coverage of largely contemporary classical music, fitting somewhere between Steve Reich and Phillip Glass' systems music and the avante leanings of Estonian Erkki-Sven Tüür and David Lang. With four of Pianocircus' six members alongside Bruford and bass ...
Crystal Silence: The ECM Recordings 1972-79
by John Kelman
It's a story that's been told before, but it's worth repeating. Pianist Chick Corea and vibraphonist Gary Burton were performing individually at a 1972 Munich festival, and ended up as the only two artists at a late night jam session. While the two had attempted working together in the 1960s, it was in a quartet context ...
Bill Frisell: Solos and Films of Buster Keaton
by John Kelman
In a career which is in 2009 entering its fourth decade in the public eye, guitarist Bill Frisell has fashioned a trajectory like no other. As comfortable playing Hank Williams country tunes as he is a Ron Carter blues, the guitarist has created such a distinctive sound that, even when he's playing a plain old G ...
John Abercrombie Quartet: Wait Till You See Her
by John Kelman
The beauty of working with the same people long-term is it's possible to evolve a cohesive ensemble sound, while still retaining its singular group voice. Guitarist John Abercrombie has been working with violinist Mark Feldman since Open Land (ECM, 1999), but it was when he recruited bassist Marc Johnson and drummer Joey Baron for Cat 'n' ...
John Surman / Howard Moody: Rain On The Window
by John Kelman
With John Surman's Brewster's Rooster (ECM, 2009) refocusing attention on the British saxophonist/bass clarinetist's jazzier proclivities, it's a good time to assess Rain On The Window--not yet out in North America, but available in Europe since the spring of 2008. A duet recording that picks up, to some extent, where Proverbs and Songs (ECM, 1997) left ...
John Surman: From Boy Choirs to Big Horns
by John Kelman
It's increasingly risky to be a musician on the road. When British saxophonist John Surman was traveling from his home in Oslo, Norway, to New York City in September, 2007 for a recording session, he almost lost his baritone saxophone to the airlines. “It is a nightmare traveling now," says Surman, “and hardly a tour goes ...
Stefon Harris & Blackout: Urbanus
by John Kelman
Since emerging in the late 1990s as the vibraphonist of his generation, Stefon Harris has been unfairly tagged as an overly cerebral player for Blue Note projects like the elaborate Grand Unification Theory (2003) and African Tarantella: Dances for Duke (2006). Evolution (Blue Note, 2004), Harris' first with his groove-happy Blackout band, went a long way ...
