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655

Article: Extended Analysis

Soft Machine: NDR Jazz Workshop - Hamburg, Germany May 17, 1973

Read "Soft Machine: NDR Jazz Workshop - Hamburg, Germany May 17, 1973" reviewed by John Kelman


Every year it seems that more archive material is unearthed from Soft Machine, the legendary British group that began life in Dadaist psychedelia, but wound down as a powerhouse, chops-centric, fusion outfit at the end of the 1970s, with stops in more complex writing and free jazz territory along the way. As influenced by minimalist composers ...

312

Article: Album Review

Marilyn Crispell / David Rothenberg: One Dark Night I Left My Silent House

Read "One Dark Night I Left My Silent House" reviewed by John Kelman


There are those who decry pianist Marilyn Crispell's move towards sparer, introspective free improvisation with Nothing ever was, anyway. Music of Annette Peacock (1997)--the beginning of a now nearly 15-year association with the German ECM label. For those who prefer their spontaneity impressionistic rather than expressionistic, however, it has yielded a relatively small but impressive discography, ...

631

Article: Extended Analysis

Third Round

Read "Third Round" reviewed by John Kelman


It would be beyond cute to suggest that Manu Katché marches to the beat of his own drummer. Still, in a career spanning three decades and regularly crossing over between pop, jazz and world music, the French kit-meister has demonstrated a unique propensity for groove and a distinct (and refreshing) avoidance of the “look at me" ...

283

Article: Album Review

Steve Tibbetts: Natural Causes

Read "Natural Causes" reviewed by John Kelman


Alongside Stephan Micus, Steve Tibbetts occupies a somewhat rare position in ECM's roster of longstanding musical collaborators. Like the German composer/multi-instrumentalist, this “Zen Guitarist" defies ECM's general rule of two days to record, one day to mix (with minimal editing and overdubbing); instead, Tibbetts has, with rare exception, recorded his music from a home base in ...

399

Article: Album Review

Ketil Bjornstad: Remembrance

Read "Remembrance" reviewed by John Kelman


In a career spanning four decades that only began reaching a wider international audience with the release of his first album for ECM, Water Stories (1993), Norwegian pianist Ketil Bjørnstad has collaborated with many fellow Scandinavians, including guitarists Terje Rypdal and Eivind Aarset, bassist Arild Andersen, drummer Jon Christensen and live sampler Jan Bang. Surprisingly, he ...

2,010

Article: Live Review

Norwegian Jazz 101b: JazzNorway in a Nutshell 2010

Read "Norwegian Jazz 101b: JazzNorway in a Nutshell 2010" reviewed by John Kelman


2008 | 2009 | 2010 | 2011 Norway may be a country that, more than most, aims to expose people from around the world to its culture through annual events like JazzNorway in a Nutshell, but as rich an experience as attending that junket is, returning to it on a regular basis is an ...

317

Article: Album Review

The Trio (Peter Erskine / Chuck Berghofer / Terry Trotter): Live @ Charlie O's

Read "Live @ Charlie O's" reviewed by John Kelman


Three Los Angeles session men with a massive collective résumé as sidemen but, with the exception of one--drummer Peter Erskine--diminutive discographies as leaders; one set of largely iconic standards; and one live set from a club where the players, called simply “The Trio," perform on a regular basis. Live at Charlie O's is a loving tribute ...

418

Article: Album Review

Bushman's Revenge: Jitterbug

Read "Jitterbug" reviewed by John Kelman


With Jitterbug, Bushman's Revenge asserts that the modern power trio continues to be alive, well, and living in...Norway. You Lost Me At Hello (Rune Grammofon, 2009) was an intense, often-times relentless debut that married Hendrix-ian psychedlia with Ayler-esque abandon. Leaning hard towards the rock side of the jazz-rock equation, the personnel remains the same, but is ...

904

Article: Extended Analysis

Metropole Orkest / John Scofield / Vince Mendoza: 54

Read "Metropole Orkest / John Scofield / Vince Mendoza: 54" reviewed by John Kelman


Metropole Orkest / John Scofield / Vince Mendoza 54 Emarcy 2010 Guitarist John Scofield's shared history with Vince Mendoza dates back to the composer/arranger/conductor's Start Here (World Pacific, 1990) and Instructions Inside (EMI/Manhattan, 1991)--two criminally out of print gems that provided early evidence of Mendoza's distinctive harmonic language, compositional perspicacity and ...

344

Article: Album Review

John Escreet: Don't Fight the Inevitable

Read "Don't Fight the Inevitable" reviewed by John Kelman


Since moving to New York in 2006, pianist John Escreet has positioned himself as one of the scene's most significant up-and-comers. In addition to performances with artists including Chris Potter and Seamus Blake, he's a member The Story, which released its self-titled debut independently in 2009. Escreet also gigs with David Binney, appearing on Aliso (Criss ...


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