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Paul Flaherty / Randall Colbourne / James Chumley Hunt / Mike Roberson: Borrowed From Children
by Mark Corroto
Let's misquote a Rolling Stones' lyric here, with the music of Paul Flaherty “you can always get what you want," and maybe to a greater extent, “you get what you need." For more decades than he might want to count, the saxophonist has been making his self-described 'hated music.' We're talking hate as in a bugaboo, ...
Sebastien Ammann’s Color Wheel, Kenny Warren Trio and More
by Maurice Hogue
I doubt you would get much argument that trumpet players Herb Robertson and Dave Ballou, bassist Drew Gress and drummer Tom Rainey are among the finest of their generation. When Robertson and Ballou decided to form a quartet back in 2005, those four musical minds coming together pretty much assured some magic would happen. In 2007 ...
Results for pages tagged "John Dikeman"...
John Dikeman
Born:
John Dikeman is an American saxophonist currently residing in Amsterdam. Drawing inspiration from a wide range of sources, John’s playing runs the gamut of improvised music and technique. He is currently active as a member of numerous groups including Cactus Truck, a band made up guitarist/bass guitarist Jasper Stadhouders and Onno Govaert; Universal Indians with Norwegian rhythm section Tollef Østvang and Jon Rune Strøm and often featuring Joe McPhee; the trio Dikeman, Parker, Drake with William Parker and Hamid Drake, and numerous other collaborations including projects with Andrew Barker, Dirk Serries, Steve Noble, Luis Vicente, Alexander Hawkins, Roger Turner, Hugo Antunes, Peter Jacquemyn, Peter Ole Jorgensen, Aleksandar škorić
2019: Striking A Balance In Review, Part 1
by Henning Bolte
Part 1 | Part 2 Every year the 'Best-of' game is underway again. But, “best of what?" is the immediate question. It's almost impossible for fishes of prey to hunt in a huge herring swarm, or for birds of prey to hunt in those huge budgerigar swarms. 'The best' is a choice from the ...
2019: Striking A Balance In Review, Part 2
by Henning Bolte
Part 1 | Part 2This is the second part of an article that looks back and reflects on experiences with live music in 2019. This part deals with a musician's legacy (Ornette Coleman) and continues with an examination of artistic developments and dynamics in the jazz field in a festival (Jazzfest Berlin) and related ...
The Attic: Summer Bummer
by John Sharpe
Although the cover painting might be interpreted as a comment on the two-dimensional nature of beach holidays, the title actually derives from the name of the festival in Antwerp where this invigorating free jazz by The Attic was recorded. It's the second outing by the band, which takes its name from its eponymous debut (NoBusiness, 2017). ...
John Dikeman And The Origin Of The Species
by Mark Corroto
If we were to go searching for saxophonist John Dikeman's spirit animal, we might have to bypass beast for sapien. Let's just say his spirit animal is the father of punk, Iggy Pop. Like early music by The Stooges, Dikeman's sound makes reference to the music of both Albert Ayler and Pharoah Sanders. It's a shame ...
Assif Tsahar: In Between the Tumbling a Stillness
by Mark Corroto
As the saying goes, In Between The Tumbling A Stillness, recorded in 2015 in Tel Aviv, “comes in like a lion and goes out like a lamb." Saxophonist Assif Tsahar, who sticks to tenor throughout, opens “In Between" like a lion, if that lion were Albert Ayler. The 35-minute piece draws from the fire music of ...
Dave Rempis / Brandon Lopez / Ryan Packard: The Early Bird Gets
by Mark Corroto
The trio of saxophonist Dave Rempis, bassist Brandon Lopez, and drummer Ryan Packard have released their debut recording The Early Bird Gets without devising a name for the trio. Packard, like his fellow Chicagoan Tim Daisy, is a percussionist, composer, and sound artist. He is a member of Rempis' Chicago-based Gunwale, along with Albert Wildeman. With ...
Russ Lossing, Jasper Blom and More
by Maurice Hogue
Sometimes a recording catches you by surprise. Such is the case with Swedish bassist Thomas Markusson's Open. Only one of the musicians was familiar, the pianist Naoko Sakata who moved from Japan to Sweden where she could play the kind of music that wasn't popular in Japan. Sakata definitely found the right company. Markusson is a ...
