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World-renowned Smoke Jazz Club Ends The Year With The 11th Annual Coltrane Festival Countdown 2024, New Year’s Eve Celebration With Carla Cook, And More
Rated the #1 Jazz Club in New York City (Secret NYC), SMOKE Jazz Club ends 2023 with an exciting line-up in December. The month begins with a rare solo piano doubleheader by Brad Mehldau (Dec 1-2) preceded by his Trio (Nov 29-30). For 11 nights, SMOKE presents its 11th annual Coltrane Festival: “Countdown 2024.” Some of ...
James "Plunky" Branch: Afrobeat, Funk e Spiritual Jazz
by Angelo Leonardi
Da circa un decennio il jazz statunitense e britannico vede l'emergere di giovani protagonisti che spezzano i confini tra i generi “colti" e popolari, operando una sintesi sfaccettata tra le molte espressioni della black music. Un torrente tumultuoso che viene alimentato dalle spinte politico-identitarie della comunità afroamericana (la rinascita dell'Afrofuturismo, il movimento Black Lives Matter), che ...
Take Five with Multi-Instrumentalist Jason Vitelli
by AAJ Staff
Meet Jason Vitelli We now find Brooklyn-based musician Jason Vitelli standing at a crossroads, pivoting from being a prolific songwriter into an eclectic composer. Though he has previously written for video, his upcoming 4th album, 1. Ambient Corridors (2024), stands out as an inaugural collection of captivating works. He curates an opus of twelve pieces, weaving ...
Emma Johnson's Gravy Boat: Northern Flame
by Chris May
Tenor saxophonist and composer Emma Johnson graduated from Leeds Conservatoire in 2014 and she continues to be based in the city. Leeds is in the north of England, from where Johnson hails. Most English jazz musicians have found that if they want to get ahead, they need to move to London. A few, such as trumpeter ...
Jaimie Branch: 7 Steps To Heaven
by Chris May
Following the 2024 re-election of Donald Trump as President of the United States, and his subsequent ratification as President-for-Life, the US Constitution was suspended. Jaimie Branch, who had passed in 2022, was one of many musicians, film makers, writers and visual artists whose work, no longer protected by the First Amendment, was declared Un-American and its ...
Allison Au: Migrations
by Dan McClenaghan
Canadian saxophonist Allison Au says she was drawn to the simplicity of a jazz quartet “as a vehicle for realizing the visions of my original compositions." Charlie Parker must have felt the same way; Art Pepper, too. And John Coltrane. Au stuck to this format for her Wander Wonder (Self Produced, 2018) and 2017's self-produced Forest ...
Take Five with Tulio Araujo
by AAJ Staff
Meet Tulio Araujo Tulio is a Brazilian musician, carrying advanced degrees and experience in the fields of Percussion, Music Production and Sound Engineering. He has studied with renowned masters Ian Guest (Hungary), Santiago Reyther (Cuba), Marcos Suzano (Brazil), among others. Through his experimentation and study, he dreamt and effectively conceived a way to merge the pandeiro ...
Tulio Araujo releases his sixth album Awerejê, merging his Brazilian Pandeiro with modern arrangements of Jazz standards
Brazilian percussionist Tulio Araujo, known by his dedication to the Pandeiro, just released the sixth album of his career. Different than the previous recordings, based on his originals, this time he focused on special arrangements of Jazz standards. Awerejê is a Brazilian indigenous word from Tupi Guarani language branch that means fusion, blending. No other concept ...
Miki Yamanaka: Shades of Rainbow
by Jack Bowers
Pianist Miki Yamanaka's working trio (Tyrone Allen, bass; Jimmy Macbride, drums) is very good. Add tenor saxophonist Mark Turner, as she does on Shades of Rainbow, and the results are even better. Besides playing nimble and expressive piano, Japanese-born, New York-based Yamanaka composed and arranged every song on Rainbow, her fifth album as leader.
October 2023: An Improvised Paradise
by Pat Youngspiel
The Angelica Sanchez Nonet Nighttime Creatures Pyroclastic Records 2023 One rarely gets to hear the contra-alto clarinet--an instrument mainly developed in the 20th century with a range extending downwards to the lower E-flat (concert G-flat), sometimes even a D or a C. On the introductory title cut of Nighttime Creatures, however, ...
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