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202

Article: Album Review

The Chris Kelsey 4: Not Cool {. . .As In, "The Opposite of Paul Desmond"}

Read "Not Cool {. . .As In, "The Opposite of Paul Desmond"}" reviewed by Jerry D'Souza

by Jerry D'Souza

Growing up as the son of a jazz saxophonist, saxophonist Chris Kelsey was influenced by his father's tastes in jazz. Charlie Parker, John Coltrane and Sonny Rollins were among those favorite artists, but Paul Desmond was not. Kelsey first heard Desmond on Bridge Over Troubled Water (A&M, 1969), his ode to Simon and Garfunkel, which was ...

321

News: Award / Grant

House Honors Miles Davis' "Kind of Blue"

House Honors Miles Davis' "Kind of Blue"

WASHINGTON (AP) -- Fifty years after jazz legend Miles Davis recorded Kind of Blue, the House voted Tuesday to honor the landmark album's contribution to the genre. Davis collaborated on the record with saxophonists John Coltrane and Julian “Cannonball" Adderley, pianists Bill Evans and Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. Rep. John Conyers, ...

606

Article: Opinion

Let's Tribute Ourselves

Read "Let's Tribute Ourselves" reviewed by Vincent Gardner

by Vincent Gardner

Like many other jazz musicians, I am fortunate enough to travel all over the globe and present this wonderful music. While I haven't been playing professionally for an extremely long time--only about 15 years--during those years I have seen quite a bit of change in the world and on the jazz scene. Not that it compares ...

402

Article: Book Review

Prestige Records: The Album Cover Collection

Read "Prestige Records: The Album Cover Collection" reviewed by Larry Taylor

by Larry Taylor

Prestige Records: The Album Cover Collection Hardcover; 128 pages ASIN: B002NACXY6 Concord Editions 2009 Prestige Records: The Album Cover Collection has been published in honor of the seminal jazz label's 60th anniversary. The handsome coffee table-sized book would make the perfect gift for many jazz fans--both ...

456

Article: Album Review

Cedar Walton: Voices Deep Within

Read "Voices Deep Within" reviewed by Russ Musto

by Russ Musto

Since 2001, Cedar Walton's regular excursions into Rudy Van Gelder's legendary Englewood Cliffs studio for the HighNote label have consistently resulted in some of this century's finest mainstream jazz recordings. On Voices Deep Within he continues the tradition, once again demonstrating the vitality and endurance of (t)his music. Despite his ever growing popularity and critical acclaim ...

433

Article: Album Review

Billy Harper: Blueprints of Jazz, Vol. 2

Read "Blueprints of Jazz, Vol. 2" reviewed by George Kanzler

by George Kanzler

Tenor saxophonist Billy Harper has been keeping the jazz fires kindled by the ritualistic, incantatory side of the classic John Coltrane Quartet stoked and burning bright for over a quarter-century. Here Harper's working quintet, augmented by a second bassist, presents a program redolent of the processional and the chant. Over it all, Harper's coruscating, brawny tenor ...

422

Article: Album Review

John Butcher & Mark Sanders / Alex Ward & Roger Turner / John Tchicai & Tony Marsh: Treader Duos

Read "Treader Duos" reviewed by John Eyles

by John Eyles

These three contrasting reeds/drums duos are a fine record of the concert at which they were recorded, in February 2008 at St Giles-in-the-Fields church, London. Each of the three tracks lasts about twenty five minutes, long enough for the duos to give a good account of themselves. The three tracks give an opportunity to hear some ...

293

Article: Album Review

Stewy von Wattenwyl Generations Band: Live at Marians

Read "Live at Marians" reviewed by Dan McClenaghan

by Dan McClenaghan

Swiss pianist Stewy von Wattenwyl blasts into this high energy set, Live at Marians, with a blistering one-two punch of Wes Montgomery's “Fried Pies" and John Coltrane's “Moments Notice." The leader pounds the keys in a McCoy Tyner mode, and saxophonist Eric Alexander sounds raw and just barely tamed. This is not a sound that can ...

570

Article: Extended Analysis

Grant Green: Matador

Read "Grant Green: Matador" reviewed by Matt Marshall

by Matt Marshall

Grant Green Matador Blue Note / Music Matters 2009 (1964) This may be the reissue of 2009: a resplendent vinyl pressing of guitarist Grant Green's Matador on two 180-gram, 45-rpm records from Music Matters. This May 1964 recording was, like many Blue Note sets, not released until many years later ...

477

Article: Live Review

London Broil: John Butcher at The Stone, NYC

Read "London Broil: John Butcher at The Stone, NYC" reviewed by Gordon Marshall

by Gordon Marshall

John Butcher The Stone East Village, Manhattan New York, New York November 14, 2009 On a sheer sonic level, John Butcher goes further into his instrument--and further out of it--than any of his monumental precursors in the iconoclast tradition of abstract British improvising. Not that ...


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