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The Chris Kelsey 4: Not Cool {. . .As In, "The Opposite of Paul Desmond"}
by Jerry D'Souza
Growing up as the son of a jazz saxophonist, saxophonist Chris Kelsey was influenced by his father's tastes in jazz. Charlie Parker, John Coltrane and Sonny Rollins were among those favorite artists, but Paul Desmond was not. Kelsey first heard Desmond on Bridge Over Troubled Water (A&M, 1969), his ode to Simon and Garfunkel, which was ...
House Honors Miles Davis' "Kind of Blue"
WASHINGTON (AP) -- Fifty years after jazz legend Miles Davis recorded Kind of Blue, the House voted Tuesday to honor the landmark album's contribution to the genre. Davis collaborated on the record with saxophonists John Coltrane and Julian “Cannonball" Adderley, pianists Bill Evans and Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. Rep. John Conyers, ...
Let's Tribute Ourselves
by Vincent Gardner
Like many other jazz musicians, I am fortunate enough to travel all over the globe and present this wonderful music. While I haven't been playing professionally for an extremely long time--only about 15 years--during those years I have seen quite a bit of change in the world and on the jazz scene. Not that it compares ...
Prestige Records: The Album Cover Collection
by Larry Taylor
Prestige Records: The Album Cover Collection Hardcover; 128 pages ASIN: B002NACXY6 Concord Editions 2009 Prestige Records: The Album Cover Collection has been published in honor of the seminal jazz label's 60th anniversary. The handsome coffee table-sized book would make the perfect gift for many jazz fans--both ...
Cedar Walton: Voices Deep Within
by Russ Musto
Since 2001, Cedar Walton's regular excursions into Rudy Van Gelder's legendary Englewood Cliffs studio for the HighNote label have consistently resulted in some of this century's finest mainstream jazz recordings. On Voices Deep Within he continues the tradition, once again demonstrating the vitality and endurance of (t)his music. Despite his ever growing popularity and critical acclaim ...
Billy Harper: Blueprints of Jazz, Vol. 2
by George Kanzler
Tenor saxophonist Billy Harper has been keeping the jazz fires kindled by the ritualistic, incantatory side of the classic John Coltrane Quartet stoked and burning bright for over a quarter-century. Here Harper's working quintet, augmented by a second bassist, presents a program redolent of the processional and the chant. Over it all, Harper's coruscating, brawny tenor ...
John Butcher & Mark Sanders / Alex Ward & Roger Turner / John Tchicai & Tony Marsh: Treader Duos
by John Eyles
These three contrasting reeds/drums duos are a fine record of the concert at which they were recorded, in February 2008 at St Giles-in-the-Fields church, London. Each of the three tracks lasts about twenty five minutes, long enough for the duos to give a good account of themselves. The three tracks give an opportunity to hear some ...
Stewy von Wattenwyl Generations Band: Live at Marians
by Dan McClenaghan
Swiss pianist Stewy von Wattenwyl blasts into this high energy set, Live at Marians, with a blistering one-two punch of Wes Montgomery's Fried Pies" and John Coltrane's Moments Notice." The leader pounds the keys in a McCoy Tyner mode, and saxophonist Eric Alexander sounds raw and just barely tamed. This is not a sound that can ...
Grant Green: Matador
by Matt Marshall
Grant Green Matador Blue Note / Music Matters 2009 (1964) This may be the reissue of 2009: a resplendent vinyl pressing of guitarist Grant Green's Matador on two 180-gram, 45-rpm records from Music Matters. This May 1964 recording was, like many Blue Note sets, not released until many years later ...
London Broil: John Butcher at The Stone, NYC
by Gordon Marshall
John Butcher The Stone East Village, Manhattan New York, New York November 14, 2009 On a sheer sonic level, John Butcher goes further into his instrument--and further out of it--than any of his monumental precursors in the iconoclast tradition of abstract British improvising. Not that ...


