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Thomas Savy: The French Suite
by Greg Simmons
Frenchman Thomas Savy seems intent on making a statement with his bass clarinet, and he's doing so in a challenging format: a trio, accompanied only by bass and drums. He's out of the gate running with French Suite. The bass clarinet is a terrific sounding instrument, with a big wooden resonance and dimensional texture, ...
Microscopic Septet: Chance Meeting with the Future
by Gordon Marshall
The Microscopic Septet is all about swing, but swing in a sense extrapolated from the stale, dated pages of the past. Its take on the music of the '30s and '40s is too scholarly to fall off the map as retro, and too deeply felt to be dismissed as a dusty trove of museum pieces. The ...
Milt Jackson: Sunflower
by John Kelman
With a series of mainstream dates to his credit dating back to the early 1950s—not to mention charter membership in the now-legendary Modern Jazz Quartet (MJQ) and one-offs with everyone from bop saxophonist Charlie Parker to “new thing" saxophonist John Coltrane—vibraphonist Milt Jackson was the clear link between his instrument's swing era beginnings with Lionel Hampton ...
One Track Mind: John Coltrane, "Like Sonny" (1961)
By Nick DeRiso “Like Sonny," reportedly based on an element of a Sonny Rollins solo—perhaps during “My Old Flame," from Kenny Dorham's 1957 Jazz Contrasts record?—illustrates the remarkable attention to detail that still makes John Coltrane's music not just interesting but important. He wasn't a stylist, or someone attempting to mimic someone else. Coltrane was trying ...
Umbria Jazz Winter #18
by Joan A. Cararach
Umbria Jazz Winter #18 Orvieto, Italia 29 de diciembre 2010--2 de enero 2011En el jazz los sueños existen. Uno de ellos se llama Orvieto.Hermano menor del Umbria Jazz Festival que cada verano se celebra en Perugia, el Umbria Jazz Winter de Orvieto complementa de un modo sabio las programaciones de ambos festivales ...
John Surman: Flashpoint: NDR Jazz Workshop - April '69
by John Kelman
1969 was a watershed year for John Surman. He released his eponymous debut on Dutton Vocalion that year, but it was the recording session for How Many Clouds Can You See? (Vocalion, 1970), that made the year of Woodstock and man's first steps on the moon so portentous for the 25 year-old saxophonist An album effortlessly ...
Marcus Miller: The Perfect Balance
by Esther Berlanga-Ryan
Marcus Miller is a master musician of calm wisdom and impeccable taste, whose talent has been exposed to the elements under different kinds of light through the years, only to magnify the evident supremacy he so gently seems to hold over the bass guitar in recent years. As a multi-instrumentalist of deep musical curiosity, he has ...
CTI Masterworks: The Second Batch
by John Kelman
After a mighty kickoff near the end of 2010, CTI Masterworks is pushing ahead full-steam with another set of six remastered reissues, beautifully packaged in soft digipak editions. Its first batch of reissues included a tremendous, four-disc retrospective box set, CTI Records--The Cool Revolution, and an expanded, double-disc version of 1971's California Concert: The Hollywood Palladium, ...
Take Five With Mike DiRubbo
by AAJ Staff
Meet Mike DiRubbo:Born on July 25, 1970 in New Haven, Connecticut, Mike DiRubbo began his musical life as a junior high school clarinetist, and switched to alto saxophone at 12. A primarily self-taught saxophonist, he developed into a talented instrumentalist drawn inexorably to the notion of improvising. At a high school band concert, Mike ...
Chris Crocco: The Chris Crocco Fluid Trio +
by Karl Ackermann
The best of creative modern jazz can be visualized like Providence's Waterfire: living, breathing art with the near silence of water and sizzle of fire. True to that spirit, The Chris Crocco Fluid Trio + offers both vitalizing and hushed elements in the sequence of tunes on its self-titled sophomore outing. Crocco, the southern-born, New York-based ...
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