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167

Article: Album Review

Mostly Other People Do the Killing: The Coimbra Concert

Read "The Coimbra Concert" reviewed by Mark Corroto

by Mark Corroto

The stand-up comic begins, “I went to a day of rage riot the other day, and a Moppa Elliott concert broke out." He might continue with, “Take my jazz canon, please." That is just what the bassist's quartet, Mostly Other People Do The Killing, does--seize the jazz standard and demolish it. The Coimbra Concert is the ...

234

Article: Take Five With...

Take Five With Mike Lee

Read "Take Five With Mike Lee" reviewed by AAJ Staff

by AAJ Staff

Meet Mike Lee:Mike Lee is a tenor saxophonist originally from Cleveland, OH and now living in Northern New Jersey. He's currently leader of the Cecil's Monday Night Big Band at Cecil's Jazz Club in West Orange New Jersey and co-leader of the acclaimed jazz quartet, New Tricks. He has released five albums as leader ...

216

Article: Album Review

Kenneth Whalum III: To Those Who Believe

Read "To Those Who Believe" reviewed by Jonathan Wertheim

by Jonathan Wertheim

Perhaps three really is the magic number--at least for today's tenor saxophonists. Walter Smith III has been making waves in the contemporary jazz world for years now, but another “three" has been developing a distinctive and fresh style, albeit more quietly. Kenneth Whalum III is the most recent addition to a venerated musical ...

527

Article: Interview

Roberta Piket: Making a Difference

Read "Roberta Piket: Making a Difference" reviewed by Victor L. Schermer

by Victor L. Schermer

Roberta Piket is a jazz pianist, composer, and arranger with an exceptional range of expression. In the same tune or performance, she moves fluidly between bebop, hard bop, blues, soft and mellow, up-tempo, contrapuntal, and advanced harmonic motifs, making it all come together in meaningful, coherent statements of ideas and emotions. She thinks hard when she ...

134

Article: Album Review

The David Liebman Trio: Lieb Plays the Blues a la Trane

Read "Lieb Plays the Blues a la Trane" reviewed by Raul d'Gama Rose

by Raul d'Gama Rose

There are few artists who can channel the spiritual fervour of John Coltrane better than Dave Liebman. Liebman was so deeply moved by Trane, that it took him two decades to renew a commitment to revisiting the legendary saxophonist's work. Liebman was so completely under Trane's spell that, by his own admission, it was like having ...

285

Article: Album Review

Diego Urcola Quartet: Appreciation

Read "Appreciation" reviewed by Raul d'Gama Rose

by Raul d'Gama Rose

Trumpeter Diego Urcola's is a voice that has remained somewhat hidden--certainly tucked away--for two decades in Paquito D'Rivera's quintet. And then there is the subdued role he has played in Guillermo Klein's fabulous larger ensemble, Los Guachos. However, the graceful candor of his voice is irrepressible, and it was only a matter of time before he ...

530

Article: Opinion

Why Is Jazz A Dirty Word?

Read "Why Is Jazz A Dirty Word?" reviewed by David Arivett

by David Arivett

Why is it that “jazz music," and even the word “jazz" itself, is so offensive and polarizing to the average music listener today? The word “jazz" instantly turns many people off... immediately saying they don't like jazz at all. The fact is, that a very large part of the US population won't listen to jazz, period. ...

544

News: Recording

Impulse! Records Celebrates 50 Years of Jazz Innovation With Reissues, Box Set

Impulse! Records Celebrates 50 Years of Jazz Innovation With Reissues, Box Set

This year marks the 50th anniversary of the launch of Impulse! Records. Of course, John Coltrane (pictured) was the leading light on this revered imprint, releasing much of his '60s material on the label, but Impulse! was actually founded and run early on by legendary record producer Creed Taylor, who brought the label to immediate prominence ...

654

Article: Interview

Hubert Laws: Flute Virtuoso and NEA Jazz Master

Read "Hubert Laws: Flute Virtuoso and NEA Jazz Master" reviewed by Greg Thomas

by Greg Thomas

After James Moody and Frank Wess established the flute as a solo jazz instrument in the 1950s, and Herbie Mann popularized it in the 1960s, the musician that has become most identified with virtuosic flute performance in jazz is Hubert Laws, who became a recipient of the National Endowment for the Arts (NEA) Jazz Masters Fellowship ...

646

Article: Interview

Stanley Clarke: Path Maker

Read "Stanley Clarke: Path Maker" reviewed by Esther Berlanga-Ryan

by Esther Berlanga-Ryan

Innovation is a cherished quality in any art form and, truth be told, some follow greatness while others create the patterns that make that same greatness possible. There are teachers, and then, there are students. In jazz, musicians skilled in all sorts of instruments tend to look at their older peers in amazement, and challenges within ...


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