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The Grand Canyon
by Mark Corroto
Flying over the Grand Canyon on your way to Las Vegas is one way to see that huge gash in the earth, and standing on the banks of the Colorado River is another. From one perspective depth cannot be appreciated, from the other the enormity of it all. Such is the case with modern improvised music. ...
Chris Potter: The Personal Stamp
by R.J. DeLuke
Chris Potter is one of the most visible saxophonists on the scene in recent years. There are reasons for that. Not only does he have incredible chops, inner drive, intensity and the impulse to always be creative--as if that's not enough--he can fit into any musical situation and find a way to contribute.Coming through ...
Montreal Jazz Festival: Montreal, Canada, June 28-July 7, 2012
by Greg Thomas
Festival International de Jazz de MontréalMontréal, CanadaJune 28-July 7, 2012From the time of the airplane's descent to the airport in Montréal, I knew something was different and perhaps special about this place. Instead of a square or rectangular grid style of suburban housing plots, from my window I saw circular formations of housing, ...
Take Five With Will Goble
by AAJ Staff
Meet Will Goble: Without fanfare, Will Goble is steadily carving out a unique space for himself as a bassist and bandleader. Driven by a genuine love for group interaction and a positive exchange with audiences, he leads his own bands and supports other musicians with equal energy and enthusiasm. His first album as a ...
Greg Lewis / Organ Monk: Uwo in the Black
by Dan Bilawsky
Many a jazz musician visits the territory of pianist Thelonious Monk for a short spell, but organist Greg Lewis seems to have signed up for an extended stay. His Organ Monk (Self Produced, 2010) proved to be a completely original and exciting take on the music of the man affectionately and reverently called the High Priest ...
Marion Cowings: Hey There
by Melanie Futorian
Marion Cowings, is often known as Dave Lambert's replacement in vocalese group Lambert, Hendricks & Ross, andhas graced many stages internationally and nationally, including the Lincoln Center, the Kennedy Center, the Blue Note, the Village Vanguard and a myriad more. He can be heard on recordings, radio and television broadcasts, is a winner of the Clio ...
Freeform in the U.K.
by Sammy Stein
Freeform and improvised jazz is having a hard time at the moment. Venues have to make tough choices between pleasing what is a smaller cohort of customers and bringing new, maybe transient, but paying clients who are attracted by big names, standards and music they know. Customers have less cash in these difficult economic times, so ...
Trudy Pitts: Extraordinary Pianist & Master of the Hammond B-3
by Pheralyn Dove
[The following is an excerpt from Pheralyn Dove's forthcoming memoir, No Time for Tears: A Book of True Life Stories, and the chapter titled Today I Cried."]The Student Meets the MasterTalking to keyboardist Trudy Pitts is like going on an adventure. It's the type of escapade where wanderlust, laughter and discovery are ...
Gerd Dudek: Day and Night
by John Eyles
When saxophonist Evan Parker started his Psi label back in late 2001, the label's second release--following his own solo album, Lines Burnt in Light (2001)--was the excellent 'Smatter (2002), by Gerd Dudek, the German saxophonist's first release under his own name. In January 2012, when Parker curated a week-long series of concerts at The Vortex in ...
Jessica Williams: Songs of Earth
by Dan McClenaghan
Jessica Williams, with her last four CDs on Origin Records, is like a butterfly coming out of its cocoon. Earlier in her career, Williams--who once held the piano chair in drummer Philly Joe Jones band--wrapped her artistry in the Great American Song on Some Ballads Some Blues (Red and Blue, 1999), along with stellar tributes to ...





