Home » Search Center » Results: John Coltrane
Results for "John Coltrane"
Galway Jazz Festival 2016
by Ian Patterson
Galway Jazz Festival Various Venues Galway, Ireland October 7-9, 2016 The best jazz festivals are not necessarily the biggest. They're not always the ones with the marquee names. The best festivals, without a doubt, are the ones you remember, years later, for having had a hell of a good time. ...
For Your Grammy Consideration - Dean Brown's "ROLAJAFUFU"
Contemporary Instrumental Album: ROLAJAFUFU Best Improvised Jazz Solo: “PHILLY MAN" Best Instrumental Arrangement: “AND SO IT GOES" Best Instrumental Composition: “OLD SOLDIERS" Guitarist and composer Dean Brown has always done things his way. Nowhere is that in greater evidence than on ROLAJAFUFU, his fifth album as a leader. The title ...
Michael Musillami/Rich Syracuse: Of The Night
by Budd Kopman
For some reason, Wayne Shorter is in the air, as evidenced by pianist Denny Zeitlin's wonderful Early Wayne and now guitarist Michael Musillami's duo album with bassist Rich Syracuse, Of The Night. As stated in the earlier review, Shorter tunes, for the most part, are almost immediately recognizable as such without being able to ...
Tom Collier: Impulsive Illuminations
by Dan McClenaghan
Vibraphonist Tom Collier offers up something quite different from his previous Origin Records CDs, where he covered the jazz standards like John Coltrane's “Giant Steps; Miles Davis' “So What," and some seemingly unlikely pop hits: The Rolling Stones “What a Shame" and Brian Wilson's “God Only Knows," alongside his own always engaging compositions. With Impulsive Illuminations, ...
SFJAZZ Unveils Jim Marshall Photography Installation in San Francisco Unified School District Building Windows Across Street From SFJAZZ Center in San Francisco
Photographs will be exhibited from September 8, 2016 to May 2017 SFJAZZ announces the unveiling of a new photography installation from legendary photographer and longtime San Francisco resident Jim Marshall in the windows of the vacant San Francisco Unified School District (SFUSD) building across the street from the SFJAZZ Center on Franklin Street at Fell Street ...
Joshua Breakstone/The Cello Quartet: 88
by Mark Sullivan
Veteran guitarist Joshua Breakstone pays tribute to some of his favorite pianist/composers here. He tells a story about a fellow Berklee student (a saxophonist) who asked legendary saxophonist Sonny Stitt if he could sit in. Stitt shut him down with the question “how many keys on a saxophone?" The novice couldn't answer--there are 23--but everyone knows ...
Dave Liebman Group: Expansions Live
by Budd Kopman
For those that know soprano saxophonist David Liebman's latest group Expansions from their first two studio albums, Samsara and The Puzzle, the double CD Expansions Live will be the lodestone for this quintet (Liebman, reedman Matt Vashlishan, keyboardist Bobby Avey, bassist Tony Marino and drummer Alex Ritz). Playing a few of the tunes from ...
The Ganelin Trio: Creative Tensions
by Duncan Heining
Imagine a time, not so very long ago, when a foreign Jazz/Improvising Trio created such a stir in Britain that they made the TV news! Imagine the national newspapers queuing round the block for interviews. And imagine London's Bloomsbury Theatre filled with musicians, journalists and arts administrators--not to mention the odd, very odd, raincoated spook.
Dean Brown Band To Tour Europe Fall 2016
Guitarist and composer Dean Brown has always done things his way. Nowhere is that in greater evidence than on ROLAJAFUFU, his fifth album as a leader. The title is a playful acronym that encompasses rock-Latin-jazz-funk- fusion, the universes Brown explores on this diverse, kinetic recording. Brown’s fiercely independent streak is also exemplified by the fact that ...
Alyssa Allgood: Out Of The Blue
by Mark Sullivan
Chicago vocalist Alyssa Allgood devotes her first full length album to an unexpected source: the classic hard bop repertoire of Blue Note Records. The label is mainly known for instrumental jazz, and all of these selections were originally instrumental. This presents no problem for Allgood, who demonstrates equal facility scatting, singing wordless vocalise, and writing lyrics ...
