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Keith Jarrett, Gary Peacock, Jack DeJohnette: After the Fall
by Mario Calvitti
Sembra ormai definitivamente tramontata la speranza di rivedere in concerto il trio Standards di Keith Jarrett, Gary Peacock e Jack DeJohnette, che in trent'anni di attività ha riportato il moderno trio pianistico ai vertici dell'espressione jazzistica, ponendosi come punto di riferimento obbligato per tutti coloro che hanno adottato la stessa formula strumentale negli ultimi tre decenni. ...
Dan Monaghan: The Man Behind The Swing
by Victor L. Schermer
Dan Monaghan is a working drummer who makes an indispensable contribution to the music by being the one who provides the swing and support that allows the other musicians to achieve their diverse objectives. He performs so often in the Philadelphia area that if you go to a jazz show, there's a fair chance he'll be ...
Lewis Porter: Beauty & Mystery
by Mike Jurkovic
A somber, modern/Romanticist solo piano “Prologue" beautifully opens jazz scholar, historian, and accomplished pianist Lewis Porter's Beauty & Mystery, his fourth disc as a session leader. Accompanied throughout this often inspired recording by bassist John Pattitucci, sought after Grammy-winner and frequent trio companion drummer Terri Lyne Carrington and high-flying, rep-rising saxophonist Tia Fuller, Porter ...
William Parker: Embracing The Unknown
by Luke Seabright
His is one of the most distinctive and respected voices on double bass today. William Parker, the tireless composer, multi-instrumentalist, educator and poet, is still today omnipresent on the contemporary free jazz scene. What's more, he has been consistently for the last four decades. The William Parker Sessionography: A Work in Progress by Rick Lopez clocks ...
Keith Jarrett / Gary Peacock / Jack DeJohnette: After The Fall
by Karl Ackermann
In the year between ECM releases Tokyo '96 (1997) and Whisper Not (1999), Keith Jarrett's iconic Standards Trio returned to live performances following a two-year break. Jarrett's bout with Chronic Fatigue Syndrome left him physically and emotionally drained, but with the condition in check, his expressive passion and physical enthusiasm return in full force with After ...
Shakers n' Bakers: Heart Love
by Mark Corroto
For most of us it is, and always has been, red states and blue states. I'm talking us vs. them, liberals and conservatives, or my ball team and yours. Same goes for music. The moldy figs vs. beboppers and later, neocons vs. avant-gardists. Yet, some musicians like Albert Ayler, as a radical departure from the norm, ...
Leni Stern: Finally The Fame Has Come
by Jim Worsley
Leni Stern has long been a triumphant voice of inspiration. The truth and steadfast beauty of her lyrics and music has touched many hearts around the world. Recognition is a slippery slope, especially when one is not seeking or prioritizing it. Stern has stayed true to her roots and focused her impressive compositions, vocals, ...
Wes Montgomery: In Paris: The Definitive ORTF Recording
by Maurizio Comandini
27 marzo 1965. Parigi, Teatro dei Champs--Élysées. Il quartetto di Wes Montgomery si esibisce per gli appassionati parigini e conferma di essere uno dei gruppi più interessanti del momento. Il sassofonista Johnny Griffin si aggiunge in tre brani e si alterna al chitarrista per assoli scoppiettanti e carichi di guizzi improvvisi e colpi d'ala maestosi. Il ...
Federica Michisanti: tra ricerca e introspezione
by Daniele Vogrig
La contrabbassista romana Federica Michisanti si è rapidamente affermata come una delle nuove leve meritevoli di grande attenzione. Grazie ad un equilibrio tra immediatezza ed originalità, tra camerismo ed improvvisazione, i suoi progetti sono pieni di spunti fertili e stimolanti. In questa intervista ci parla del suo lavoro mosso tanto da un'ardimentosa ricerca quanto da un'intima ...
Glenn Zaleski: Fellowship
by Neri Pollastri
Originario del Massachusetts, il pianista Glenn Zaleski è uno dei giovani talenti emergenti sulla scena newyorchese. Questo Fellowship è il suo secondo lavoro, sempre per Sunnyside, dopo My Ideal, del 2015. Si tratta in buona sostanza di un classico esempio di piano trio, dall'impostazione piuttosto tradizionale, ma diversamente dal precedente album, basato su standard ...
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