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Ricardo Villalobos / Max Loderbauer: Re: ECM
by David McLean
Over the past decade or so, the ECM label has been flirting with elements of electronic music in varying degrees. Evan Parker's Towards The Margins (1997) introduced electronic manipulation in the live processing of sound as a new improvisational tool, embellishing the saxophonist's already avant-garde collection of instrumentation. Since then, subtle machinations have crept into other ...
David White Jazz Orchestra: Flashpoint
by Karl Ackermann
With a faculty that includes John Abercrombie, Eric Alexander, Scott Colley, Jon Faddis, Jon Gordon and Kenny Washington, the Purchase College Jazz Studies Program is a leading talent pool for artists. No one alumnus epitomizes that capacity better than trombonist, composer and arranger David White on his debut, Flashpoint. Though he's still relatively unknown outside the ...
John MacLeod & His Rex Hotel Orchestra / Tim Davies Big Band / New England Jazz Ensemble
by Jack Bowers
John MacLeod & His Rex Hotel OrchestraOur First SetSelf Published2010 Those who mourn the passing of the great trombonists Rob McConnell and Dave McMurdo and, with them, two of the most renowned big bands Canada has ever produced, should take substantial comfort from this superlative debut recording ...
Ricardo Villalobos / Max Loderbauer: Re: ECM
by John Kelman
The concept of remix-- using studio technology to deconstruct, reshape and reconstruct extant recordings--is far from new, but the past decade has seen a considerable expansion of purview. Once more closely aligned with the club scene, remixes are no longer solely about relentless beats for dancing; instead, as Norway's Punkt Festival has been demonstrating for seven ...
The Garana Jazz Festival: Garana, Romania, July 21-24, 2011
by Adriana Carcu
The Garana Jazz Festival Garana, Romania July 21-24, 2011 Hidden in the heart of the Western Carpathians, the small village of Garana, --also called Wolfsberg by the Bohemian colonists who have inhabited it until some 30 years ago--has developed, during the last decades, into an international artist colony--hosting, for the 15th time this ...
Inntoene Festival: Diersbach, Austria, June 10-12, 2011
by Sebastian Scotney
Inntoene Festival 2011 Diersbach, Austria June 10-12, 2011 I overheard a conversation at the Inntoene Festival in Austria. In a mock-incredulous tone, one New York musician was asking another: “Straight up. You're telling me. That this whole farm place. Is owned. By a trombonist?!“ Cue laughter and the ...
Paul Motian: New York, NY, May 20 2011
by Warren Allen
Paul Motian Quartet “Tribute to the MJQ"Village VanguardNew York, NYMay 20, 2011 The boundary between past and present in jazz has, over the years, become a source of overwrought debate. The rise of “Tribute" shows at New York City's big name clubs gives ammunition to those who say that jazz ...
Mike Rood: The Desert And The City
by Dan Bilawsky
The music on guitarist Mike Rood's debut recording straddles two different worlds. Sparse settings of relative quietude represent the isolation and beautiful spaciousness of the desert, while lively demonstrations of technical sophistication and motion paint a vivid picture of the non-stop energy of the city. The title of this recording points to these opposing sound locales, ...
Jamie Ruben: Groove-O-Ly-O-Scene
by Douglas Payne
The musical path of Canadian guitarist Jamie Ruben is surely the story of the road less traveled. Rather than gigging regularly in some urban jazz hotbed, the Toronto-based guitarist made his living for seven years performing jazz full time in the Far East in such places as Katmandu, Bangkok, Shanghai and the even more remote regions ...
Young / Powell / Vespestad: Anthem
by John Kelman
Public perception can often be misleading. Those only familiar with Jacob Young's ECM recordings, including the sublime Evening Falls (2004), inevitably think of him as a painstakingly lyrical guitarist, informed by Jim Hall's economical forward- thinking and penchant for the sound of a warm, organic hollowbody or steely acoustic instrument. But that's only part of the ...
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