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Album

Just Listen

Label: Relative Pitch Records
Released: 2013
Track listing: Surprise / Benny’s Bounce; Trick Memory; Pick apart; Night Howl; A Change Is Gonna Come; Cherokee; Mood; My Little Suede Shoes; Home On The Road / Follow Your Heart.

17

Article: Interview

Jim Hall: Live, Now and Then

Read "Jim Hall: Live, Now and Then" reviewed by Bob Kenselaar


[ This interview was originally published on July 16, 2013. ] Widely acknowledged as one of the most influential guitarists in modern jazz, Jim Hall has had an extraordinary musical career that spans more than half a century. His style is marked not by soaring speed or virtuoso technique but by his explorative artistry ...

15

Article: Profile

Memories in Motian

Read "Memories in Motian" reviewed by Zeno De Rossi


Soon after hearing about Paul Motian's passing (November 22, 2011) I felt the urge to delve (again) into his music. Later on, inspired by a moving writing by Ellery Eskelin (published on his website and reproduced below, by his kind permission), I thought it would have been interesting to collect brief memories from ...

5

Article: Album Review

John Abercrombie Quartet: 39 Steps

Read "39 Steps" reviewed by Andrew Luhn


Guitarist John Abercrombie has had a long and successful association with ECM records and for his latest release, 39 Steps, he completes his quartet with a piano. Abercombie had success with this format in the 1970s with Richie Beirach, George Mraz, and Peter Donald, but in the past 10 years his ECM releases have been more ...

3

Article: Live Review

Monterey Jazz Festival 2013

Read "Monterey Jazz Festival 2013" reviewed by Larry Taylor


Monterey Jazz Festival Monterey, California September 28-30, 2013 Like a lavish banquet, one can't indulge in the whole spread, but only savor favorites. That was the case with the lineup at the 56th annual Monterey Jazz Festival which ran at the Monterey Fairgrounds in Northern California. Topping the ...

20

Article: Extended Analysis

39 Steps

Read "39 Steps" reviewed by John Kelman


John Abercrombie has rarely played with pianists, at least in his own groups and throughout his extensive discography as a leader for ECM Records that began with the immediate classic, 1975's Timeless. Other than a brief reunion with that record's group for 1984's Night, the veteran guitarist has, in fact, only recorded with one other piano-based ...

6

Article: Album Review

Joey Baron: Just Listen

Read "Just Listen" reviewed by Glenn Astarita


Drummer Joey Baron and guitarist Bill Frisell have collaborated on and off for three decades, and both artists are firmly ensconced within the modern era's jazz transformation, spanning avant-garde, modern mainstream jazz, jazz-rock and so on. Frisell is a guitar hero, while Baron's far-reaching influence needs no elaboration here. This album denotes the output from a ...

14

Article: Album Review

The Swallow Quintet: Into the Woodwork

Read "Into the Woodwork" reviewed by John Kelman


In the press sheet for Steve Swallow's Into the Woodwork, the award-winning electric bassist is quoted, saying: “Good humor before and after the red light goes on is very important. Music-making should be fun, after all." Those fortunate enough to see Swallow with Steve Kuhn and Joey Baron this past summer--including a memorable stop at the ...

12

Article: Live Review

2013 Montreal Jazz Festival: June 28-July 2, 2013

Read "2013 Montreal Jazz Festival: June 28-July 2, 2013" reviewed by John Kelman


Festival International de Jazz de MontréalMontréal, CanadaJune 28-July 7, 2013After taking a year off to curate an All About Jazz Presents: Doing It Norway at Norway's 2012 Kongsberg Jazz Festival, it was great to return to the city that hosts what must surely be the largest jazz festival in the world. Where else ...

6

Article: Live Review

2013 TD Ottawa Jazz Festival: Ottawa, Canada, June 21-26, 2013

Read "2013 TD Ottawa Jazz Festival: Ottawa, Canada, June 21-26, 2013" reviewed by John Kelman


TD Ottawa Jazz FestivalOttawa, CanadaJune 20-July 1, 2013Having made the decision, in 2012, to broaden its stylistic purview to include not only music on the periphery of jazz, but artists with no real connection to the founding raison d'être of the festival, the 2013 TD Ottawa Jazz Festival continued to bring extracurricular music ...


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