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301

Article: Extended Analysis

John Medeski, Mellotrons and A Mountain of Majoun

Read "John Medeski, Mellotrons and A Mountain of Majoun" reviewed by Chris May

by Chris May

Club D'ElfElectric Moroccoland / So BelowFace Pelt Records2011 Boston-based Club D'Elf describes itself as a “Moroccan-dosed psychedelic dub and jazz collective." It is the sort of band that gives self-medication a good name, and it will reconfigure your synapses, in a good way, if you let it. ...

158

News: Recording

Club d'Elf: New Albums & Tour

Club d'Elf: New Albums & Tour

Deep Trancing: The Hypnotic Grooves, Camel-Skin Bass, and Unifying Spirit of Club d'Elf The music of Club d'Elf flies through North African trance, glitchy turntablism, improvisation, and rock psychedelia, but it's playfully altered states of musical consciousness that truly guide the band. Witness founder Mike Rivard's first night in Morocco, the country that had fired his ...

15

Video

Live At Barbes

Featuring the music of Joe Maneri
Duration: 1:11

Joe Maneri live at the famous Brooklyn venue Barbes, 9th Street and 6th Avenue, Park Slope.
704

Article: Interview

Kevin Frenette: Fall River Guitar Guy

Read "Kevin Frenette: Fall River Guitar Guy" reviewed by Gordon Marshall

by Gordon Marshall

However cool the surface of his music, Kevin Frenette is not content to serve up any sort of “easy listening." The guitarist grew up in Fall River, a small city in southeastern Massachusetts, but the beauty of his music is akin to a sylvan setting--to enter into it is to traverse a forest trail. Some themes ...

1,192

Article: Interview

Eric Zinman: The Piano as Endangered Species

Read "Eric Zinman: The Piano as Endangered Species" reviewed by Brian Wrentham

by Brian Wrentham

For over twenty years, pianist/composer Eric Zinman has been crafting his own approach to his instrument, since meeting trumpeter Bill Dixon in the '80s. He views himself as an ensemble player, who plays to include; in addition to his own writing, his trio disc, Eric Zinman Ensemble (Cadence, 2006), features short pieces by John Voigt, Laurence ...

359

Article: Book Review

Silent Solos: Improvisers Speak

Read "Silent Solos: Improvisers Speak" reviewed by Jakob Baekgaard

by Jakob Baekgaard

Silent Solos: Improvisers Speak Soft cover; 174 pages ISBN: 978-3-00-030557-3 Buddy's Knife 2010 Improvisation, at its best, is about instinct. At its worst, it's an intellectual exercise, cold and theoretical, without an emotional perspective. Fortunately, the beautifully produced Silent Solos: Improvisers Speak avoids the pitfalls of ...

317

Article: Album Review

Judith Berkson: Oylam

Read "Oylam" reviewed by John Kelman

by John Kelman

As renowned as Manfred Eicher is for his ability to scout out new talent deserving wider recognition, ECM's other regular (albeit less prolific) producer, Steve Lake, is equally worthy of similar consideration. Few others could have imagined the remarkable synchronicity of folk traditionalism and unfettered free play that came about when, after recruiting Robin Wililiamson for ...

815

Article: Interview

Katt Hernandez: Spiral Passes

Read "Katt Hernandez: Spiral Passes" reviewed by Gordon Marshall

by Gordon Marshall

Katt Hernandez plays violin with a hand and eye versed in the vagaries of natural sound. A student of microtonal music, she is also steeped in European folk traditions, and skilled in classical forms of improvisation. While her work goes in many directions, it stays sharp and swift and supple. She is equally adept ...

336

Article: Album Review

Ballrogg: Insomnia

Read "Insomnia" reviewed by John Kelman

by John Kelman

Contrasting his role in the remarkable Norwegian trio In the Country--responsible for the critically acclaimed debut This Was the Pace of My Heartbeat (Rune Grammofon, 2005) and even more ambitious Whiteout (Rune Grammofon, 2009)--bassist Roger Arntzen formed Ballrogg in 2006, with saxophonist Klaus Ellerhusen Holm; a more intimate duo that found its own dark nexus of ...

701

Article: Extended Analysis

ART-i-Facts: Great Performances from 40 Years of Jazz at NEC

Read "ART-i-Facts: Great Performances from 40 Years of Jazz at NEC" reviewed by Raul d'Gama Rose

by Raul d'Gama Rose

Various Artists ART-i-Facts: Great Performances from 40 Years of Jazz at NEC New England Conservatory 2010 For almost 150 years the New England Conservatory has been a repository of learning for musicians from around the world. The institution has maintained a fine sense of history and 40 years ago began ...


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